Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Bringing together twenty-nine of Lawrence Alloway's most influential essays in one volume, this fascinating collection provides valuable perspectives on the art and visual culture of the second half of the twentieth century.
Bringing together twenty-nine of Lawrence Alloway's most influential essays in one volume, this fascinating collection provides valuable perspectives on the art and visual culture of the second half of the twentieth century.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Richard Kalina is a painter, critic, and Professor of Art at Fordham University in New York. He is a Contributing Editor at Art in America. He writes on Pop Art, Minimalism and Postminimalism, Conceptual Art, Abstract Expressionism, and issues relating to contemporary abstraction
Inhaltsangabe
Preface Saul Ostrow Commentary Richard Kalina 1. Quick Symbols 2. Technology and Sex in Science Fiction: A Note on Cover Art 3. Design as a Human Activity 4. Personal Statement 5. The Arts and the Mass Media 6. The Long Front of Culture 7. City Notes 8. Artists as Consumers 9. Junk Culture 10. Pop Art since 1949 11. Six Painters and the Object 12. The American Sublime 13. The Critic and the Visual Arts 14. Art and the Communications Network 15. Systemic Painting 16. Art and the Expanding Audience 17. Pop Art: The Words 18. The Spectrum of Monochrome 19. Position Paper 20. Anthropology and Art Criticism 21. Systems of Cross-Reference in the Arts: On Translation 22. On Style. An Examination of Roy Lichtenstein's Development, Despite a New Monograph on the Artist 23. Photo-Realism 24. The Function of the Art Critic 25. Artists as Writers, Part One: Inside Information 26. Realism as a Problem 27. De Kooning: Criticism and Art History 28. The Complex Present 29. Problems of Iconography and Style
Preface Saul Ostrow Commentary Richard Kalina 1. Quick Symbols 2. Technology and Sex in Science Fiction: A Note on Cover Art 3. Design as a Human Activity 4. Personal Statement 5. The Arts and the Mass Media 6. The Long Front of Culture 7. City Notes 8. Artists as Consumers 9. Junk Culture 10. Pop Art since 1949 11. Six Painters and the Object 12. The American Sublime 13. The Critic and the Visual Arts 14. Art and the Communications Network 15. Systemic Painting 16. Art and the Expanding Audience 17. Pop Art: The Words 18. The Spectrum of Monochrome 19. Position Paper 20. Anthropology and Art Criticism 21. Systems of Cross-Reference in the Arts: On Translation 22. On Style. An Examination of Roy Lichtenstein's Development, Despite a New Monograph on the Artist 23. Photo-Realism 24. The Function of the Art Critic 25. Artists as Writers, Part One: Inside Information 26. Realism as a Problem 27. De Kooning: Criticism and Art History 28. The Complex Present 29. Problems of Iconography and Style
Preface Saul Ostrow Commentary Richard Kalina 1. Quick Symbols 2. Technology and Sex in Science Fiction: A Note on Cover Art 3. Design as a Human Activity 4. Personal Statement 5. The Arts and the Mass Media 6. The Long Front of Culture 7. City Notes 8. Artists as Consumers 9. Junk Culture 10. Pop Art since 1949 11. Six Painters and the Object 12. The American Sublime 13. The Critic and the Visual Arts 14. Art and the Communications Network 15. Systemic Painting 16. Art and the Expanding Audience 17. Pop Art: The Words 18. The Spectrum of Monochrome 19. Position Paper 20. Anthropology and Art Criticism 21. Systems of Cross-Reference in the Arts: On Translation 22. On Style. An Examination of Roy Lichtenstein's Development, Despite a New Monograph on the Artist 23. Photo-Realism 24. The Function of the Art Critic 25. Artists as Writers, Part One: Inside Information 26. Realism as a Problem 27. De Kooning: Criticism and Art History 28. The Complex Present 29. Problems of Iconography and Style
Preface Saul Ostrow Commentary Richard Kalina 1. Quick Symbols 2. Technology and Sex in Science Fiction: A Note on Cover Art 3. Design as a Human Activity 4. Personal Statement 5. The Arts and the Mass Media 6. The Long Front of Culture 7. City Notes 8. Artists as Consumers 9. Junk Culture 10. Pop Art since 1949 11. Six Painters and the Object 12. The American Sublime 13. The Critic and the Visual Arts 14. Art and the Communications Network 15. Systemic Painting 16. Art and the Expanding Audience 17. Pop Art: The Words 18. The Spectrum of Monochrome 19. Position Paper 20. Anthropology and Art Criticism 21. Systems of Cross-Reference in the Arts: On Translation 22. On Style. An Examination of Roy Lichtenstein's Development, Despite a New Monograph on the Artist 23. Photo-Realism 24. The Function of the Art Critic 25. Artists as Writers, Part One: Inside Information 26. Realism as a Problem 27. De Kooning: Criticism and Art History 28. The Complex Present 29. Problems of Iconography and Style
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
