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Immigration Cinema in the New Europe examines a variety of films from the early 1990s that depict and address the lives and identities of both first generation immigrants and children of the diaspora in Europe. Whether they are authored by immigrants themselves or by white Europeans who use the resources and means of production of dominant cinema to politically engage with the immigrants' predicaments, these films, Isolina Ballesteros shows, are unmappable - a condition resulting from immigration cinema's re-combination and deliberate blurring of filmic conventions pertaining to two or more…mehr

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Produktbeschreibung
Immigration Cinema in the New Europe examines a variety of films from the early 1990s that depict and address the lives and identities of both first generation immigrants and children of the diaspora in Europe. Whether they are authored by immigrants themselves or by white Europeans who use the resources and means of production of dominant cinema to politically engage with the immigrants' predicaments, these films, Isolina Ballesteros shows, are unmappable - a condition resulting from immigration cinema's re-combination and deliberate blurring of filmic conventions pertaining to two or more genres. In an age of globalization and increased migration, this book theorizes immigration cinema in relation to notions such as gender, hybridity, transculturation, border crossing, transnationalism and translation.


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Autorenporträt
Isolina Ballesteros is Associate Professor at the Department of Modern Languages and Comparative Literature of Baruch College, CUNY. Her field of specialty is contemporary Spanish cultural studies. She has published extensively about Spanish and Latin American women writers, the image of women in the post-Franco literature, and Spanish and European film. She is the author of two books: Escritura femenina y discurso autobiográfico en la nueva novela española (1994), and Cine (Ins)urgente: textos fílmicos y contextos culturales de la España postfranquista (2001). She is currently working on a book called: 'Undesirable' Otherness and 'Immigration Cinema' in the European Union.