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First published in 1939, the original blurb begins: We have learned much lately concerning theories of laughter, yet laughter is only what we do about comedy. What is comedy itself? In this work the history of comic instances is combed in the search for the truth about comedy.
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First published in 1939, the original blurb begins: We have learned much lately concerning theories of laughter, yet laughter is only what we do about comedy. What is comedy itself? In this work the history of comic instances is combed in the search for the truth about comedy.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 286
- Erscheinungstermin: 26. April 2022
- Englisch
- ISBN-13: 9781000579130
- Artikelnr.: 63902989
- Verlag: Taylor & Francis
- Seitenzahl: 286
- Erscheinungstermin: 26. April 2022
- Englisch
- ISBN-13: 9781000579130
- Artikelnr.: 63902989
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
James Feibleman
Preface. Part I: A Survey of the History of Comedy 1. Ancient Comedy 2.
Archaic Greek Comedy 3. Classical Greek Comedy 4. Roman Comedy 5. Mediaeval
Comedy 6. Renaissance Comedy 7. Seventeenth-Century Comedy 8.
Eighteenth-Century Comedy 9. Nineteenth-Century Comedy Part II: Some
Classical Theories of Comedy 1. Realistic Theory: Plato 2. Realistic
Theory: Aristotle 3. Later Greek Commentators: The Tractatus Coislinianus,
Jamblichus and Proclus 4. Roman Commentators: Cicero and Quintilian 5.
Comedy in Transition: Tzetzes and Vico 6. Nominalistic Theory: Hobbes 7.
Gottsched and Schlegel 8. Kant, Spencer, Schopenhauer, Hazlitt 9. Meredith
and the Genteel Tradition 10. Everett and Psychology Part III: Criticism of
Modern Theories of Comedy 1. The Subjective-Metaphysical: Bergson 2. The
Subjective-Metaphysical: Croce, Carritt 3. The Subjective-Literary:
Jankélévitch, Eastman, Leacock 4. The Subjective-Literary: Menon, Seward,
Gregory 5. The Psychoanalytic: Freud 6. The Physiological: Dumas,
Bechterev, Crile 7. The Logical: Zuver, Graves Part IV: The Meaning of
Comedy 1. Apology 2. The Aesthetic Background 3. What is Comedy? 4. The
Logic of Art 5. Psychological Aspects 6. Perspective Aspects 7. Comedy and
Tragedy 8. Kinds of Comedy 9. The Divine Comedy Part V: Illustrations from
Modern Comedians 1. In Praise of the Comedian 2. The Comedy of Everyday
Life: The Marx Brothers 3. The Comedy of Myth: James Joyce 4. The Comedy of
Literature: Gertrude Stein 5. The Human Comedy: Charlie Chaplin 6. The
Comedy of Adventure: "Prince" Romanoff 7. The Comedy of History: Sellar and
Yeatman 8. The Comedy of Art: Surrealism 9. The Popular Comedy: Idols of
the Marketplace 10. Conclusion. Appendix. Index.
Archaic Greek Comedy 3. Classical Greek Comedy 4. Roman Comedy 5. Mediaeval
Comedy 6. Renaissance Comedy 7. Seventeenth-Century Comedy 8.
Eighteenth-Century Comedy 9. Nineteenth-Century Comedy Part II: Some
Classical Theories of Comedy 1. Realistic Theory: Plato 2. Realistic
Theory: Aristotle 3. Later Greek Commentators: The Tractatus Coislinianus,
Jamblichus and Proclus 4. Roman Commentators: Cicero and Quintilian 5.
Comedy in Transition: Tzetzes and Vico 6. Nominalistic Theory: Hobbes 7.
Gottsched and Schlegel 8. Kant, Spencer, Schopenhauer, Hazlitt 9. Meredith
and the Genteel Tradition 10. Everett and Psychology Part III: Criticism of
Modern Theories of Comedy 1. The Subjective-Metaphysical: Bergson 2. The
Subjective-Metaphysical: Croce, Carritt 3. The Subjective-Literary:
Jankélévitch, Eastman, Leacock 4. The Subjective-Literary: Menon, Seward,
Gregory 5. The Psychoanalytic: Freud 6. The Physiological: Dumas,
Bechterev, Crile 7. The Logical: Zuver, Graves Part IV: The Meaning of
Comedy 1. Apology 2. The Aesthetic Background 3. What is Comedy? 4. The
Logic of Art 5. Psychological Aspects 6. Perspective Aspects 7. Comedy and
Tragedy 8. Kinds of Comedy 9. The Divine Comedy Part V: Illustrations from
Modern Comedians 1. In Praise of the Comedian 2. The Comedy of Everyday
Life: The Marx Brothers 3. The Comedy of Myth: James Joyce 4. The Comedy of
Literature: Gertrude Stein 5. The Human Comedy: Charlie Chaplin 6. The
Comedy of Adventure: "Prince" Romanoff 7. The Comedy of History: Sellar and
Yeatman 8. The Comedy of Art: Surrealism 9. The Popular Comedy: Idols of
the Marketplace 10. Conclusion. Appendix. Index.
Preface. Part I: A Survey of the History of Comedy 1. Ancient Comedy 2.
Archaic Greek Comedy 3. Classical Greek Comedy 4. Roman Comedy 5. Mediaeval
Comedy 6. Renaissance Comedy 7. Seventeenth-Century Comedy 8.
Eighteenth-Century Comedy 9. Nineteenth-Century Comedy Part II: Some
Classical Theories of Comedy 1. Realistic Theory: Plato 2. Realistic
Theory: Aristotle 3. Later Greek Commentators: The Tractatus Coislinianus,
Jamblichus and Proclus 4. Roman Commentators: Cicero and Quintilian 5.
Comedy in Transition: Tzetzes and Vico 6. Nominalistic Theory: Hobbes 7.
Gottsched and Schlegel 8. Kant, Spencer, Schopenhauer, Hazlitt 9. Meredith
and the Genteel Tradition 10. Everett and Psychology Part III: Criticism of
Modern Theories of Comedy 1. The Subjective-Metaphysical: Bergson 2. The
Subjective-Metaphysical: Croce, Carritt 3. The Subjective-Literary:
Jankélévitch, Eastman, Leacock 4. The Subjective-Literary: Menon, Seward,
Gregory 5. The Psychoanalytic: Freud 6. The Physiological: Dumas,
Bechterev, Crile 7. The Logical: Zuver, Graves Part IV: The Meaning of
Comedy 1. Apology 2. The Aesthetic Background 3. What is Comedy? 4. The
Logic of Art 5. Psychological Aspects 6. Perspective Aspects 7. Comedy and
Tragedy 8. Kinds of Comedy 9. The Divine Comedy Part V: Illustrations from
Modern Comedians 1. In Praise of the Comedian 2. The Comedy of Everyday
Life: The Marx Brothers 3. The Comedy of Myth: James Joyce 4. The Comedy of
Literature: Gertrude Stein 5. The Human Comedy: Charlie Chaplin 6. The
Comedy of Adventure: "Prince" Romanoff 7. The Comedy of History: Sellar and
Yeatman 8. The Comedy of Art: Surrealism 9. The Popular Comedy: Idols of
the Marketplace 10. Conclusion. Appendix. Index.
Archaic Greek Comedy 3. Classical Greek Comedy 4. Roman Comedy 5. Mediaeval
Comedy 6. Renaissance Comedy 7. Seventeenth-Century Comedy 8.
Eighteenth-Century Comedy 9. Nineteenth-Century Comedy Part II: Some
Classical Theories of Comedy 1. Realistic Theory: Plato 2. Realistic
Theory: Aristotle 3. Later Greek Commentators: The Tractatus Coislinianus,
Jamblichus and Proclus 4. Roman Commentators: Cicero and Quintilian 5.
Comedy in Transition: Tzetzes and Vico 6. Nominalistic Theory: Hobbes 7.
Gottsched and Schlegel 8. Kant, Spencer, Schopenhauer, Hazlitt 9. Meredith
and the Genteel Tradition 10. Everett and Psychology Part III: Criticism of
Modern Theories of Comedy 1. The Subjective-Metaphysical: Bergson 2. The
Subjective-Metaphysical: Croce, Carritt 3. The Subjective-Literary:
Jankélévitch, Eastman, Leacock 4. The Subjective-Literary: Menon, Seward,
Gregory 5. The Psychoanalytic: Freud 6. The Physiological: Dumas,
Bechterev, Crile 7. The Logical: Zuver, Graves Part IV: The Meaning of
Comedy 1. Apology 2. The Aesthetic Background 3. What is Comedy? 4. The
Logic of Art 5. Psychological Aspects 6. Perspective Aspects 7. Comedy and
Tragedy 8. Kinds of Comedy 9. The Divine Comedy Part V: Illustrations from
Modern Comedians 1. In Praise of the Comedian 2. The Comedy of Everyday
Life: The Marx Brothers 3. The Comedy of Myth: James Joyce 4. The Comedy of
Literature: Gertrude Stein 5. The Human Comedy: Charlie Chaplin 6. The
Comedy of Adventure: "Prince" Romanoff 7. The Comedy of History: Sellar and
Yeatman 8. The Comedy of Art: Surrealism 9. The Popular Comedy: Idols of
the Marketplace 10. Conclusion. Appendix. Index.