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Light is changing, dramatically. Our world is getting brighter - you can see it from space. But is brighter always better? Artificial light is voracious and spreading. Vanquishing precious darkness across the planet, when we are supposed to be using less energy. The quality of light has altered as well. Technology and legislation have crushed warm incandescent lighting in favour of harsher, often glaring alternatives. Light is fundamental - it really matters. It interacts with life in profound yet subtle ways: it tells plants which way to grow, birds where to fly and coral when to spawn. It…mehr
Light is changing, dramatically. Our world is getting brighter - you can see it from space. But is brighter always better? Artificial light is voracious and spreading. Vanquishing precious darkness across the planet, when we are supposed to be using less energy. The quality of light has altered as well. Technology and legislation have crushed warm incandescent lighting in favour of harsher, often glaring alternatives. Light is fundamental - it really matters. It interacts with life in profound yet subtle ways: it tells plants which way to grow, birds where to fly and coral when to spawn. It tells each and every one of us when to sleep, wake, eat. We mess with the eternal rhythm of dawn-day-dusk-night at our peril. But mess with it we have, and we still don't truly understand the consequences. In Incandescent, journalist Anna Levin reveals her own fraught relationship with changes in lighting, and she explores its real impact on nature, our built environment, health and psychological well-being. We need to talk about light, urgently. And ask the critical question: just how bright is our future?
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Autorenporträt
Anna Levin is a writer with a special interest in people's connection with the natural world, and she makes complex scientific subjects interesting and accessible to a general readership. A former section editor with BBC Wildlife, Anna now writes for a variety of publications and environmental organisations - including eight years as a contributing editor with the Royal Botanic Gardens Edinburgh. In 2014, she collaborated with renowned wildlife photographer Laurie Campbell for the book Otters: Return to the River.
Inhaltsangabe
My Light Year Other People’s Stories This Stuff of Physics, Metaphors and Mysteries Body and Mind In the Natural World The World We’ve Created Banning the Bulb The Language of Light and an Ideological Tangle Now What? Reflections and Refractions Glossary Notes and References Acknowledgements Index
My Light Year Other People’s Stories This Stuff of Physics, Metaphors and Mysteries Body and Mind In the Natural World The World We’ve Created Banning the Bulb The Language of Light and an Ideological Tangle Now What? Reflections and Refractions Glossary Notes and References Acknowledgements Index
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