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Portraits of pivotal American feminists and three of the most powerful women in twentieth-century China by the "quintessential New Yorker narrator" (The New York Times). Once Upon a Pedestal: After living an unconventional and exotic life for decades, New Yorker writer Emily Hahn was in her late sixties when this book was first published in 1974. As the Women's Movement continued to gain momentum, Hahn penned this "essential history of the remarkable women who led the feminist movement in America." Her "excellent and eminently readable" biographical sketches include Susan B. Anthony, Clara…mehr

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Produktbeschreibung
Portraits of pivotal American feminists and three of the most powerful women in twentieth-century China by the "quintessential New Yorker narrator" (The New York Times). Once Upon a Pedestal: After living an unconventional and exotic life for decades, New Yorker writer Emily Hahn was in her late sixties when this book was first published in 1974. As the Women's Movement continued to gain momentum, Hahn penned this "essential history of the remarkable women who led the feminist movement in America." Her "excellent and eminently readable" biographical sketches include Susan B. Anthony, Clara Barton, Fanny Wright, the Grimké sisters, Margaret Sanger, Jane Addams, Victoria Woodhull, Harriet Martineau, Eleanor Roosevelt, and Betty Friedan (Publishers Weekly). "[The] quintessential New Yorker narrator whose adventures over the last forty years have intrigued, amused and educated . . . Emily Hahn is, herself, a role model. It is fitting and felicitous for her to give us an armchair guide to strong-minded American women." -The New York Times The Soong Sisters: In 1935, intrepid journalist and fearless feminist Emily Hahn traveled to China and sent dispatches to the New Yorker. Through her lover, the Chinese poet Shao Xunmei, she met and established close bonds with three of the most instrumental women in twentieth-century Chinese history, who happened to be sisters. The Soong family was arguably the most influential family in Shanghai, even more so as eldest sister Eling married finance minister H. H. Kung; middle sister Chingling married Sun Yat-Sen, the founding father and first president of the Republic of China; and youngest sister Mayling married Chiang Kai-Shek, who succeeded Sun as the leader of the Republic of China. Hahn's chronicle of the family's history, written while bombs were falling during the Second Sino-Japanese War, and published in 1941, while Hahn was still in Japanese-occupied Hong Kong, is a vivid, comprehensive, and uniquely personal account of the sisters who would become known to the world as Madame Kung, Madame Sun, and Madame Chiang Kai-Shek. "First rate reportorial job on three distinguished women . . . [a] tribute to their work and their individual heroisms." -Kirkus Reviews

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Autorenporträt
Emily Hahn (1905-1997) was the author of fifty-two books, as well as 181 articles and short stories for the New Yorker from 1929 to 1996. She was a staff writer for the magazine for forty-seven years. She wrote novels, short stories, personal essays, reportage, poetry, history and biography, natural history and zoology, cookbooks, humor, travel, children's books, and four autobiographical narratives: China to Me (1944), a literary exploration of her trip to China; Hong Kong Holiday (1946); England to Me (1949); and Kissing Cousins (1958). The fifth of six children, Hahn was born in St. Louis, Missouri, and later became the first woman to earn a degree in mining engineering at the University of Wisconsin. She did graduate work at both Columbia and Oxford before leaving for Shanghai. She lived in China for eight years. Her wartime affair with Charles Boxer, Britain's chief spy in pre-World War II Hong Kong, evolved into a loving and unconventional marriage that lasted fifty-two years and produced two daughters. Hahn's final piece in the New Yorker appeared in 1996, shortly before her death. A revolutionary for her time, Hahn broke many of the rules of the 1920s, traveling the country dressed as a boy, working for the Red Cross in Belgium, becoming the concubine to a Shanghai poet, using opium, and having a child out of wedlock. She fought against the stereotype of female docility that characterized the Victorian era and was an advocate for the environment until her death.