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Editor Caridad Svich has gathered forty-three essays from admired theater professionals that comprise a volume of inspiring and innovative techniques for creating theater. Inside are words of wisdom and advice from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders—each sharing the creative challenges and triumphs of developing original works for today's stages, wherever they might be. Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theater, a 2012 Edgerton Foundation New Play Award for her play GUAPA, and the…mehr
Editor Caridad Svich has gathered forty-three essays from admired theater professionals that comprise a volume of inspiring and innovative techniques for creating theater. Inside are words of wisdom and advice from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders—each sharing the creative challenges and triumphs of developing original works for today's stages, wherever they might be.
Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theater, a 2012 Edgerton Foundation New Play Award for her play GUAPA, and the 2011 American Theatre Critics Association Primus Prize for her play The House of the Spirits, based on the Isabel Allende novel.
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Autorenporträt
Caridad Svich received the 2012 OBIE for Lifetime Achievement, the 2011 American Theatre Critics Association Primus Prize and has won the National Latino Playwriting Award sponsored by Arizona Theatre Company twice, including in the year 2013. Among her key works are 12 Ophelias, Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart and The House of the Spirits (based on the Isabel Allende novel). Two collections of her plays are published by Seagull Books and Eyecorner Press. She has also edited several books on theatre and performance for TCG, Manchester University Press, BackStage Books, and Smith & Kraus. She is an alumna of New Dramatists, founder of NoPassport theatre alliance & press, and associate editor of Contemporary Theatre Review for Routledge, UK.
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