Inside the Contemporary Conservatoire (eBook, PDF)

Critical Perspectives from the Royal College of Music, London
Redaktion: Lawson, Colin; Perkins, Rosie; Salazar, Diana

• Format: PDF

Produktbeschreibung

Drawing on the expertise of a wide range of professionals, Inside the Contemporary Conservatoire: Critical Perspectives from the Royal College of Music, London presents fresh perspectives on the work of music conservatoires today through an in-depth case study of the Royal College of Music (RCM), London.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 292
• Erscheinungstermin: 15. Januar 2025
• Englisch
• ISBN-13: 9781040303153
• Artikelnr.: 72535316

Autorenporträt

Colin Lawson was Director of the Royal College of Music from 2005 to 2024. He has an international profile as a period clarinettist and has published widely on performance and performance practice. Diana Salazar is Director of Programmes at the Royal College of Music. A conservatoire trained flautist and composer, her research interests combine practice research in electroacoustic composition with exploration of conservatoire pedagogies and technology-enhanced learning in higher music education. She is a founder of the Global Conservatoire consortium. Rosie Perkins is Professor of Music, Health, and Social Science at the Royal College of Music. She leads the RCM's Master of Science in Performance Science programme and has published extensively on music and mental health and musicians' well-being.

Inhaltsangabe

Acknowledgements
List of contributors
List of abbreviations
Foreword
Preface: conservatoire as community
PART I: Rethinking conservatoire identities and values
1 Introduction: tracing conservatoire values past, present, and future
Colin Lawson
Perspective: Chapter 1
James Gandre
2 Personal realities I: what makes an artist?
Ivan Hewett, Jonathan Cole, and Andrew Zolinsky
Perspective: Chapter 2
Sarah Connolly
3 Personal realities II: how does the conservatoire link with the
profession?
Stephen Johns and Janis Kelly
Perspective: Chapter 3
James Williams
4 Reassessing musical excellence
Miranda Francis, Vanessa Latarche, and Aaron Williamon
Perspective: Chapter 4
Afa Sadykhly Dworkin
5 Philanthropy at the Royal College of Music: shaping the future of music
education
Lily Harriss and Rachel Harris
Perspective: Chapter 5
Susan Madden
6 Integrating regulation and creativity
Kevin Porter
Perspective: Chapter 6
Martin Prchal
PART II: Evolving the teaching and learning of music in a conservatoire
7 Reimagining the one-to-one studio
Christina Guillaumier, Gabrielle Lester, and Diana Salazar
Perspective: Chapter 7
Helena Gaunt
8 The musician in the digital age: technology in the conservatoire
Thom Gilbert and Diana Salazar
Perspective: Chapter 8
Peter Maniura
9 Dialogues with musical histories: learning from the past
Ingrid Pearson
Perspective: Chapter 9
Lisa Colton and Ruth K. Minton
10 Cultivating research cultures
Richard Wistreich and Rosie Perkins
Perspective: Chapter 10
Wendy Heller
11 The healthy musician
George Waddell, David Hockings, and Aaron Williamon
Perspective: Chapter 11
Emma Redding
12 Lifelong creative careers
Gary Ryan and Diana Roberts
Perspective: Chapter 12
Michelle Phillips
PART III: Conservatoires of the future
13 The physical and virtual spaces of the conservatoire
Colin Lawson and Talia Hull
Perspective: Chapter 13
Lucy Noble
14 Towards the civic conservatoire
Dave Camlin, Hayley Clements, and Rosie Perkins
Perspective: Chapter 14
Brydie-Leigh Bartleet
15 Diversifying musical practices: how to address the need for change
within conservatoire training
Florence Ambrose and Wiebke Thormählen
Perspective: Chapter 15
Roger Wilson
16 The global conservatoire
Tania Lisboa and Diana Salazar
Perspective: Chapter 16
Joachim Junghanss
17 What next for conservatoires?
Rosie Perkins, Diana Salazar, and Colin Lawson
Index