The book opens with a discussion of the nature of jazz improvisation and performance. How exactly do jazz musicians "improvise" to create a musical composition? The author then addresses the roles of the accompanying instruments (piano-bass-drums), both individually and as partners in creating the musical fabric. Next comes an in depth look at jazz harmony and form, and how they are generated in performance. Again, without a written score, how do the musicians generate jazz harmonic and thematic structures "on the fly"? The author proposes some provocative new ideas about these important processes that are central to the jazz ethos. Finally the author explores how the boundaries between soloist/melody and harmony/rhythm were broken down in the free jazz history, composition, andperformance, as well as to the general jazz audience.
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