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Contents: Fabien Arribert-Narce and Alex Watson: Introduction - Image - Davide Messina: Snowflakes and Shadows: Giordano Bruno after Dick Higgins - François Giraud: The Grain of the Voice and the Materiality of the Digital Image in Alain Cavalier's Irène (2009) - Alex Watson: Intermedial Post-Romanticism: W. G. Sebald's Ruins of Empire in Austerlitz (2001) - Music - Alexandra Smith: The Imaginaire of Music and the Representation of Emotions in Lev Tolstoy's Novel Childhood - Keita Hatooka: Sound of Adaptation: Jaws (1975) and Psycho (1960) - Keijiro Suga: Poetical Interlude: «Water Schools»…mehr
Contents: Fabien Arribert-Narce and Alex Watson: Introduction - Image - Davide Messina: Snowflakes and Shadows: Giordano Bruno after Dick Higgins - François Giraud: The Grain of the Voice and the Materiality of the Digital Image in Alain Cavalier's Irène (2009) - Alex Watson: Intermedial Post-Romanticism: W. G. Sebald's Ruins of Empire in Austerlitz (2001) - Music - Alexandra Smith: The Imaginaire of Music and the Representation of Emotions in Lev Tolstoy's Novel Childhood - Keita Hatooka: Sound of Adaptation: Jaws (1975) and Psycho (1960) - Keijiro Suga: Poetical Interlude: «Water Schools» (¿¿¿¿¿) - Language/ Text - Beata Migut: In-Between Languages, Words and Images: Yoko Tawada's The Naked Eye - Rumiko Oyama: Image and Text in Multimodal Texts: Intermediality between Visual Images and Japanese Writing Systems - Barthes - Fabien Arribert-Narce: Roland Barthes's Intermedial Practice of Life Writing: Collecting (Auto-)Biographemes, between Image and Text - Matthis Hervieux: Barthes's Bunraku: An Intermedial Approach to Alterity - Peter Dayan: Afterword: Barthes, Fortunately, Had Never Heard of What We Call Intermediality.
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Fabien Arribert-Narce is Senior Lecturer in French and Comparative Literature at the University of Edinburgh. He is the author of Photobiographies: pour uneécriture de notation de la vie (2014) and (co-)editor of L'Autobiographie entre autres (2013), Réceptions de la culture japonaise en France depuis 1945 (2016), The Pleasurein/of the Text (2021), Michaël Ferrier: un écrivain du corail (2021), and 'Le quotidian au Japon et en Occident' ( Revue des Sciences Humaines , vol. 345, March 2022). Alex Watson is Associate Professor in the School of Arts and Letters, Meiji University, Tokyo, Japan. His major publications include Romantic Marginality (2012) and British Romanticism in Asia (2019), co-edited with Laurence Williams.
Inhaltsangabe
Contents: Fabien Arribert-Narce and Alex Watson: Introduction - Image - Davide Messina: Snowflakes and Shadows: Giordano Bruno after Dick Higgins - François Giraud: Snowflakes and Shadows: Giordano Bruno after Dick Higgins - Alex Watson: Intermedial Post-Romanticism: W. G. Sebald's Ruins of Empire in Austerlitz (2001) - Music - Alexandra Smith: The Imaginaire of Music and the Representation of Emotions in Lev Tolstoy's Novel Childhood - Keita Hatooka: Sound of Adaptation: Jaws (1975) and Psycho (1960) - Keijiro Suga: Poetical Interlude: «Water Schools» ( ) - Language/ Text - Beata Migut: In-Between Languages, Words and Images: Yoko Tawada's The Naked Eye - Rumiko Oyama: Image and Text in Multimodal Texts: Intermediality between Visual Images and Japanese Writing Systems - Barthes - Fabien Arribert-Narce: Roland Barthes's Intermedial Practice of Life Writing: Collecting (Auto-)Biographemes, between Image and Text - Matthis Hervieux: Barthes's Bunraku: An Intermedial Approach to Alterity - Peter Dayan: Afterword: Barthes, Fortunately, Had Never Heard of What We Call Intermediality.
Contents: Fabien Arribert-Narce and Alex Watson: Introduction - Image - Davide Messina: Snowflakes and Shadows: Giordano Bruno after Dick Higgins - François Giraud: Snowflakes and Shadows: Giordano Bruno after Dick Higgins - Alex Watson: Intermedial Post-Romanticism: W. G. Sebald's Ruins of Empire in Austerlitz (2001) - Music - Alexandra Smith: The Imaginaire of Music and the Representation of Emotions in Lev Tolstoy's Novel Childhood - Keita Hatooka: Sound of Adaptation: Jaws (1975) and Psycho (1960) - Keijiro Suga: Poetical Interlude: «Water Schools» ( ) - Language/ Text - Beata Migut: In-Between Languages, Words and Images: Yoko Tawada's The Naked Eye - Rumiko Oyama: Image and Text in Multimodal Texts: Intermediality between Visual Images and Japanese Writing Systems - Barthes - Fabien Arribert-Narce: Roland Barthes's Intermedial Practice of Life Writing: Collecting (Auto-)Biographemes, between Image and Text - Matthis Hervieux: Barthes's Bunraku: An Intermedial Approach to Alterity - Peter Dayan: Afterword: Barthes, Fortunately, Had Never Heard of What We Call Intermediality.
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