International Politics and Performance (eBook, PDF)

Critical Aesthetics and Creative Practice
Redaktion: Edkins, Jenny; Kear, Adrian

• Format: PDF

Produktbeschreibung

Exploring a wide range of issues including rioting, youth-driven protests, border security practices and the significance of cultural awarness in war, this text provides an accessible and cutting edge survey of the intersection of international politics and performance examining issues surrounding the politics of appearance, image, event and place; and discusses the development and deployment of innovative critical and creative research methods, from auto-ethnography to site-specific theatre-making, from philosophical aesthetics to the aesthetic thought of new securities scenario-planning.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 296
• Erscheinungstermin: 7. November 2013
• Englisch
• ISBN-13: 9781134664535
• Artikelnr.: 39998423

Autorenporträt

Jenny Edkins is Professor of International Politics at Aberystwyth University. Prior to joining the Department as Leverhulme Special Research Fellow in 1997, she taught at the University of Manchester and the Open University. She co-edits the successful textbook Global Politics: A New Introduction, now moving into its second edition, and has published six other books, including most recently: Missing Persons, Missing Politics (Cornell, 2011); Trauma and the Memory of Politics (Cambridge, 2003) and Whose Hunger? Concepts of Famine, Practices of Aid (Minnesota, 2000). Adrian Kear is Professor of Theatre and Performance at Aberystwyth's Department of Theatre, Film and Television Studies. His publications include Theatre and Event: Staging the European Century, London: Palgrave, forthcoming 2013; On Appearance (with Richard Gough), London and New York: Routledge, 2008; Psychoanalysis and Performance (with Patrick Campbell), London and New York: Routledge, 2001; Mourning Diana: Nation, Culture and the Performance of Grief (with Deborah Lynn Steinberg), London and New York: Routledge, 1999.

Inhaltsangabe

Introduction
Jenny Edkins and Adrian Kear I Logics of Staging 1. Traces of Presence
Adrian Kear 2. Facing and Defacing
Jenny Edkins II Aesthetic thought and the politics of practice 3. Justice and the Archives: 'The Method of Dramatization'
Michael J. Shapiro 4. 'The little cold breasts of an English girl' or Art and Identity
Alexander García Düttmann 5. Animating Politics
Diana Taylor 6. A Golden Screen: On Virtuosity and Cosmopolitics
Joe Kelleher III Ontological and ethnographic co-performance 7. Theatre as Post-Operative Follow-up: The Bougainville Photoplay Project
Paul Dwyer 8. Stagecraft/ Statecraft/ Mancraft : Embodied Envoys
'Objects' and the Specters of Estrangement in Africa
Sam Okoth Opondo 9. Impossibilities: Generative Misperformance and the Movements of the Teaching Body
Naeem Inayatullah IV Bodies politic and performative 10. Embodied Audience: The politics of relation and participation in Coriolan/us
Patrick Primavesi 11. Bellies
Wounds
Infections
Animals
Territories: The Political Bodies of Shakespeare's Coriolanus
Stuart Elden V Dramaturgies of scenario and security 12. Power
Security
and Antiquities
Christine Sylvester 13. Staging war as cultural encounter
Maja Zehfuss 14. Lines of Sight: On the Visualization of Unknown Futures
Louise Amoore