Interpreting Tyler Perry (eBook, PDF)

Perspectives on Race, Class, Gender, and Sexuality
Redaktion: Bell, Jamel Santa Cruze; Jackson II, Ronald L.

• Format: PDF

Produktbeschreibung

This book provides a rich and thorough overview of Tyler Perry's media works. The main themes explored in the volume include the representation of (a) Black authenticity and cultural production, (b) class, religion, and spirituality, (c) gender and sexuality, and (d) Black love, romance, and family. Perry's critical acclaim is also explored.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 340
• Erscheinungstermin: 23. Oktober 2013
• Englisch
• ISBN-13: 9781134510672
• Artikelnr.: 39935784

Autorenporträt

Jamel Santa Cruze Bell is Assistant Professor in the Department of Communication at Saint Louis University, USA. Ronald L. Jackson II is Professor of Communication and Dean of the McMicken College of Arts and Sciences at the University of Cincinnati, USA

Inhaltsangabe

1. Introduction Jamel Santa Cruze Bell and Ronald L. Jackson II Part 1:
Representing Black Authenticity and Cultural Production 2. Bootlegging
Tyler Perry/Tyler Perry as Bootlegger: A Critical Meditation on Madea's
Family Reunion Bryant Keith Alexander 3. Tyler Perry and the Mantan
Manifesto: Critical Race Theory and the Permanence of Cinematic
Anti-Blackness Baruti N. Kopano and Jared A. Ball 4. If the Fat-Suit Fits:
Fat-Suit Minstrelsy in Black Comedy Films Iliana De Larkin 5. Cool Drag:
Black Masculinity in Big Mama Disguise Stephane Dunn 6. Perry vs. Cosby, A
New Perspective: Examining the Influence of Black Media on Black Group
Consciousness Nicole E. Jackson 7. Tyler Perry and the Cultural Industries:
New Model of Cultural Production or a Re-Versioning of the Old Murali
Balaji Part 2: Representing Class, Religion and Spirituality 8. Life in
Black and White: Cautionary Tales of Internalizing Cultural Norms of Race,
Class, and Gender in The Family that Preys Cerise L. Glenn and Dante
Johnson 9. Adapting Tyler Perry: Madea Goes to Jail Deborah E. Barker 10.
Why Did I Get Married - to Her? Women's Place in Middle-Class Marriage
Nicole Files-Thompson 11. "Let The Church Say, 'Amen!'": Tyler Perry's
Treatment of the African American Church and Pastor in I Can Do Bad By
Myself Shauntae Brown White 12. The Future of the Past: Religion and
Womanhood in the Films of Tyler Perry, Eloyce Gist, and Spencer Williams,
Jr. Robin R. Means Coleman and Timeka N. Williams Part 3: Representing
Gender and Sexuality 13. Black Feminist Reflections on the Power and
Politics of Representation in Tyler Perry's For Colored Girls Rachel A.
Griffin 14. The African American Woman on Film: The Tyler Perry Image
Bishetta Merritt and Melbourne C. Cummings 15. Black Women, Thou Art
Produced!: A Womanist Critique of Tyler Perry's Gosperella Productions
Toniesha L. Taylor 16. Prolific Stereotypes of Black Men and Images of
Black Masculinity in Tyler Perry's Diary of a Mad Black Woman Patrice N.
Harris 17. (Mis)Representations of Black Sexuality: Madea vs. MaDukes
Amber L. Johnson 18. Getting it "Right?": African American Women Reading
Tyler Perry's Films Kennaria Brown, Shannon Baldon, and Amber Stanton Part
4: Representing Black Love, Romance and Family 19. Passing as a
Woman(ist)?: A Look at Black Women's Narratives in Tyler Perry's Films
Marcia Alesan Dawkins and Ulli K. Ryder 20. Representin' the Ladies: A
Negotiated Response to Tyler Perry's Portrayals of African American Female
Characters Rockell Brown and Kimberly D. Campbell 21. Remodeling the Black
Family in Tyler Perry's I Can Do Bad All By Myself Riche Richardson 22.
Archetypes of Regression: Depictions and Reflections of Black and Familial
Culture in Tyler Perry's Family Reunion Tina M. Harris and Emily Porter