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Interruptions is inspired by Stephen Jeffreys' interest in the collective aspect of politics and his fascination with the Japanese aesthetic principle of Jo-ha-kyu. The play was first performed at UC Davis, California, in 2001.
'I had the great pleasure of working with Stephen Jeffreys on his play, The Libertine . Would that all playwrights had his openness, his talent, his hard-headedness, his experience, his enthusiasm, his complexity, and perhaps best of all his talent and interest in eliciting the best in others' - John Malkovich
'Stephen's plays always bear the kitemark of unique, handcrafted quality' - Ian Rickson
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Produktbeschreibung
Interruptions is inspired by Stephen Jeffreys' interest in the collective aspect of politics and his fascination with the Japanese aesthetic principle of Jo-ha-kyu. The play was first performed at UC Davis, California, in 2001.

'I had the great pleasure of working with Stephen Jeffreys on his play, The Libertine. Would that all playwrights had his openness, his talent, his hard-headedness, his experience, his enthusiasm, his complexity, and perhaps best of all his talent and interest in eliciting the best in others' - John Malkovich

'Stephen's plays always bear the kitemark of unique, handcrafted quality' - Ian Rickson


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Autorenporträt
Stephen Jeffreys' plays include The Libertine and I Just Stopped By to See the Man (Royal Court); Valued Friends and A Going Concern (Hampstead); Bugles at the Gates of Jalalabad (part of the Tricycle Theatre's Great Game season about Afghanistan); The Convict's Opera (Out of Joint); Lost Land (starring John Malkovich, Steppenwolf, Chicago); The Art of War (Sydney Theatre Company) and A Jovial Crew (RSC). His adaptation of Dickens' Hard Times has been performed all over the world. He wrote the films The Libertine (starring Johnny Depp) and Diana (starring Naomi Watts). He co-authored the Beatles musical Backbeat which opened at the Citizens Theatre and went on to seasons in London's West End, Toronto and Los Angeles, and translated The Magic Flute for English National Opera in Simon McBurney's production. For eleven years he was Literary Associate at the Royal Court Theatre where he is now a member of the Council. His celebrated playwriting workshops have influenced numerous writers.