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Intersecting Tango engages Buenos Aires during the sweeping changes of 1900-1930, to capture a culture in motion through which Buenos Aires transformed itself into a modern, cosmopolitan city. Taking the reader through a dazzling array of sites, sources, and events, Bergero conveys the city in all its complexity. Drawing on architecture and gendered spaces, photography, newspaper columns, schoolbooks, "high" and "low" literature, private letters, advertising, fashion, and popular music, she illuminates a range of urban social geographies inhabited by the city's defining classes and groups. In…mehr

Produktbeschreibung
Intersecting Tango engages Buenos Aires during the sweeping changes of 1900-1930, to capture a culture in motion through which Buenos Aires transformed itself into a modern, cosmopolitan city. Taking the reader through a dazzling array of sites, sources, and events, Bergero conveys the city in all its complexity. Drawing on architecture and gendered spaces, photography, newspaper columns, schoolbooks, "high" and "low" literature, private letters, advertising, fashion, and popular music, she illuminates a range of urban social geographies inhabited by the city's defining classes and groups. In mining this vast material, Bergero traces the profound change in social fabric by which these diverse identities evolved, through the processes of modernization and its many dislocations, into a new national identity capable of embodying modernity.

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Autorenporträt
Adriana J. Bergero is professor of Spanish and Portuguese at the University of California, Los Angeles. She is the author of El debate politico: Modernidad, poder y disidencia en Yo el Supremo de Augusto Roa Bastos; Haciendo camino: Pactos de la escritura en la obra de Jorge Luis Borges; and co-editor, with Fernando Reati, of Memoria colectiva y politicas de olvido: Argentina y Uruguay, 1970-1990.