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This volume focuses on intersections of race, class, and gender in the formation of the fin-de-siècle Spanish and Spanish colonial subject. Despite the wealth of research produced on gender, race (largely as it relates to the themes of nationhood and empire), and social class, few studies have focused on how these categories interacted, frequently operating simultaneously to reveal contexts in which dominated groups were dominating and vice versa.
This volume focuses on intersections of race, class, and gender in the formation of the fin-de-siècle Spanish and Spanish colonial subject. Despite the wealth of research produced on gender, race (largely as it relates to the themes of nationhood and empire), and social class, few studies have focused on how these categories interacted, frequently operating simultaneously to reveal contexts in which dominated groups were dominating and vice versa.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Jennifer Smith is Associate Professor of Spanish at Southern Illinois University Carbondale, USA. Lisa Nalbone is Associate Professor of Spanish at the University of Central Florida, USA.
Inhaltsangabe
CONTENTS Introduction: Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spain Jennifer Smith and Lisa Nalbone PART I TRANSATLANTIC RELATIONS 1. Challenging Pasts, Exploring Futures: "Race," Gender, and Class in the Fin-de-siècle Essays of Rosario de Acuña, Concepción Gimeno de Flaquer, and Belén Sárraga Christine Arkinstall 2. Domesticating Cuba: Romantic Liaisons and Imperial Power in Spanish Zarzuela Mar Soria 3. Racism in "Yankilandia": Emilia Pardo Bazán and the Global Color Line Christy Presson Shaughnessy PART II RACIAL RECUPERATION AND RACIAL OTHERNESS 4. Racial Identity, Social Critique, and Class Dynamics in Pardo Bazán's Una prueba-La Cristiana and El becerro de metal Maryellen Bieder 5. Good and Bad Fusion in Emilia Pardo Bazán's El becerro de metal (1906) Margot Versteeg 6. "Playing Japanese" in Fin-de-siècle Zarzuela David R. George, Jr. PART III. SPANISH NATIONAL IDENTITIES 7. The Unbearable Lightness of Being a Nation in Galdós's Early Historical Fiction Toni Dorca 8. Realism, Fantasy, and the Gendered Trope of Colonial Relations in Galdós's Fiction Mary Coffey 9. Rewriting Carmen in Pardo Bazán's Insolación: Subversions of "Race," Gender, and Class Carmen Pereira-Muro, Translation by Holly Villines
CONTENTS Introduction: Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spain Jennifer Smith and Lisa Nalbone PART I TRANSATLANTIC RELATIONS 1. Challenging Pasts, Exploring Futures: "Race," Gender, and Class in the Fin-de-siècle Essays of Rosario de Acuña, Concepción Gimeno de Flaquer, and Belén Sárraga Christine Arkinstall 2. Domesticating Cuba: Romantic Liaisons and Imperial Power in Spanish Zarzuela Mar Soria 3. Racism in "Yankilandia": Emilia Pardo Bazán and the Global Color Line Christy Presson Shaughnessy PART II RACIAL RECUPERATION AND RACIAL OTHERNESS 4. Racial Identity, Social Critique, and Class Dynamics in Pardo Bazán's Una prueba-La Cristiana and El becerro de metal Maryellen Bieder 5. Good and Bad Fusion in Emilia Pardo Bazán's El becerro de metal (1906) Margot Versteeg 6. "Playing Japanese" in Fin-de-siècle Zarzuela David R. George, Jr. PART III. SPANISH NATIONAL IDENTITIES 7. The Unbearable Lightness of Being a Nation in Galdós's Early Historical Fiction Toni Dorca 8. Realism, Fantasy, and the Gendered Trope of Colonial Relations in Galdós's Fiction Mary Coffey 9. Rewriting Carmen in Pardo Bazán's Insolación: Subversions of "Race," Gender, and Class Carmen Pereira-Muro, Translation by Holly Villines
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