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The Invention of a People explores the residual relation between Heidegger's thought and Deleuze's novelty. Contextualising the problematic of a people-to-come within a larger political and philosophical context, Janae Sholtz casts Deleuze's project is cast as both an extension and radicalization of the Heideggerian themes of immanence, ontological difference and the transformative potential of art. Sholtz invents creative encounters which act as provocations from the outside, opening new lines of flight and previously unthought terrain. Ultimately she develops a diagrammatic image of a…mehr

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Produktbeschreibung
The Invention of a People explores the residual relation between Heidegger's thought and Deleuze's novelty. Contextualising the problematic of a people-to-come within a larger political and philosophical context, Janae Sholtz casts Deleuze's project is cast as both an extension and radicalization of the Heideggerian themes of immanence, ontological difference and the transformative potential of art. Sholtz invents creative encounters which act as provocations from the outside, opening new lines of flight and previously unthought terrain. Ultimately she develops a diagrammatic image of a people-to-come that is constantly in flux and can answer the demands of the untimely future.

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Autorenporträt
Janae Sholtz is Associate Professor of Philosophy at Alvernia University. She has published articles within PhiloSOPHIA: A Journal of Continental Feminism. She has contributed chapters to The Continuum Companion to Heidegger edited by François Raffoul and Eric S. Nelson (Bloomsbury, 2013) and Between Deleuze and Foucault edited by Daniel W. Smith, Thomas Nail and Nicolae Morar (Edinburgh University Press, forthcoming). Dr. Sholtz researches primarily in 20th-century and contemporary continental philosophy. Her current research is focused on the work of Deleuze and Guattari and their interlocutors, and includes subjects of dramatisation, the nature of the event, transgression, immanence, powers of affect and the conjunction of the aesthetic and the political.