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This book scrutinizes the way modern Irish writers exploited or surrendered to primitivism, and how primitivism functions as an idealized nostalgia for the past as a potential representation of difference and connection.
This book scrutinizes the way modern Irish writers exploited or surrendered to primitivism, and how primitivism functions as an idealized nostalgia for the past as a potential representation of difference and connection.
CLAIRE A. CULLETON is Professor of Modern British and Irish Literature, Kent State University, USA. MARIA MCGARRITY is Associate Professor of English, Long Island University, USA.
Inhaltsangabe
PART I: AMBIVALENT PRIMITIVES: RESPONDING TO THE CELTIC REVIVAL Queering the Revivalists's Pitch: Joycean Engagements with Primitivisim; J.McCourt Robots and Rebels: Technological and Organic Discourse in Pearse's Political Essays; B.A.Suess 'Magnificent Words and Gestures': Defining the Primitive in Synge's The aran Islands: E.Gilmatrin PART II: PRIMITIVISM, ETHNOGRAPHY, AND CULTURAL TRANSLATION The Ethnographic Roots of Joyce's Modernism: Exhibiting Ireland's Primitives in the National Museum and the 'Nestor' Episode; K.St.Peters Lancia Visible Others: Photography and Romantic Ethnography in Ireland; J.Carville 'The Loveliness Which has Not Yet Come Into the World': Translation as a Revisitation of Joyce's (Irish) Modernism; M.T. Caneda-Cabrera Primitive Emancipation: Religion, Sexuality, and Freedom in Joyce's A Portrait of the Artist as a Young Man and Ulysses: M.McGarrity PART III: GENDER, PRIMITIVISM AND THE BODY 'Reluctant Indians': Irish Identity and Racial Masquerade; G.Winston Female Militancy and Irish Primitivism: Dorothy Macardle's Earth-Bound; L.Weihman Domestic Gothic, The Global Primitive, and Gender Relations in Elizabeth Bowen's The Last September and The House in Paris; P.Lassner & P.Derdiger The Gaelic Athletic Association, Joyce, and the Primitive Body; C.A.Culleton
PART I: AMBIVALENT PRIMITIVES: RESPONDING TO THE CELTIC REVIVAL Queering the Revivalists's Pitch: Joycean Engagements with Primitivisim; J.McCourt Robots and Rebels: Technological and Organic Discourse in Pearse's Political Essays; B.A.Suess 'Magnificent Words and Gestures': Defining the Primitive in Synge's The aran Islands: E.Gilmatrin PART II: PRIMITIVISM, ETHNOGRAPHY, AND CULTURAL TRANSLATION The Ethnographic Roots of Joyce's Modernism: Exhibiting Ireland's Primitives in the National Museum and the 'Nestor' Episode; K.St.Peters Lancia Visible Others: Photography and Romantic Ethnography in Ireland; J.Carville 'The Loveliness Which has Not Yet Come Into the World': Translation as a Revisitation of Joyce's (Irish) Modernism; M.T. Caneda-Cabrera Primitive Emancipation: Religion, Sexuality, and Freedom in Joyce's A Portrait of the Artist as a Young Man and Ulysses: M.McGarrity PART III: GENDER, PRIMITIVISM AND THE BODY 'Reluctant Indians': Irish Identity and Racial Masquerade; G.Winston Female Militancy and Irish Primitivism: Dorothy Macardle's Earth-Bound; L.Weihman Domestic Gothic, The Global Primitive, and Gender Relations in Elizabeth Bowen's The Last September and The House in Paris; P.Lassner & P.Derdiger The Gaelic Athletic Association, Joyce, and the Primitive Body; C.A.Culleton
PART I: AMBIVALENT PRIMITIVES: RESPONDING TO THE CELTIC REVIVAL Queering the Revivalists's Pitch: Joycean Engagements with Primitivisim; J.McCourt Robots and Rebels: Technological and Organic Discourse in Pearse's Political Essays; B.A.Suess 'Magnificent Words and Gestures': Defining the Primitive in Synge's The aran Islands: E.Gilmatrin PART II: PRIMITIVISM, ETHNOGRAPHY, AND CULTURAL TRANSLATION The Ethnographic Roots of Joyce's Modernism: Exhibiting Ireland's Primitives in the National Museum and the 'Nestor' Episode; K.St.Peters Lancia Visible Others: Photography and Romantic Ethnography in Ireland; J.Carville 'The Loveliness Which has Not Yet Come Into the World': Translation as a Revisitation of Joyce's (Irish) Modernism; M.T. Caneda-Cabrera Primitive Emancipation: Religion, Sexuality, and Freedom in Joyce's A Portrait of the Artist as a Young Man and Ulysses: M.McGarrity PART III: GENDER, PRIMITIVISM AND THE BODY 'Reluctant Indians': Irish Identity and Racial Masquerade; G.Winston Female Militancy and Irish Primitivism: Dorothy Macardle's Earth-Bound; L.Weihman Domestic Gothic, The Global Primitive, and Gender Relations in Elizabeth Bowen's The Last September and The House in Paris; P.Lassner & P.Derdiger The Gaelic Athletic Association, Joyce, and the Primitive Body; C.A.Culleton
PART I: AMBIVALENT PRIMITIVES: RESPONDING TO THE CELTIC REVIVAL Queering the Revivalists's Pitch: Joycean Engagements with Primitivisim; J.McCourt Robots and Rebels: Technological and Organic Discourse in Pearse's Political Essays; B.A.Suess 'Magnificent Words and Gestures': Defining the Primitive in Synge's The aran Islands: E.Gilmatrin PART II: PRIMITIVISM, ETHNOGRAPHY, AND CULTURAL TRANSLATION The Ethnographic Roots of Joyce's Modernism: Exhibiting Ireland's Primitives in the National Museum and the 'Nestor' Episode; K.St.Peters Lancia Visible Others: Photography and Romantic Ethnography in Ireland; J.Carville 'The Loveliness Which has Not Yet Come Into the World': Translation as a Revisitation of Joyce's (Irish) Modernism; M.T. Caneda-Cabrera Primitive Emancipation: Religion, Sexuality, and Freedom in Joyce's A Portrait of the Artist as a Young Man and Ulysses: M.McGarrity PART III: GENDER, PRIMITIVISM AND THE BODY 'Reluctant Indians': Irish Identity and Racial Masquerade; G.Winston Female Militancy and Irish Primitivism: Dorothy Macardle's Earth-Bound; L.Weihman Domestic Gothic, The Global Primitive, and Gender Relations in Elizabeth Bowen's The Last September and The House in Paris; P.Lassner & P.Derdiger The Gaelic Athletic Association, Joyce, and the Primitive Body; C.A.Culleton
Rezensionen
" Irish Modernism and the Global Primitive is a very timely intervention in the new Irish studies.The topic of primitivism is everywhere in Irish and post-colonial studies, but only sporadically has it been given sustained attention; the strength of this collection is that it returns our attention to this fundamental topic at what is perhaps a key moment in the development of the new Irish studies. It is, overall, a wonderful and exciting collection." - Enda Duffy, Professor and Graduate Advisor, Department of English, University of California, Santa Barbara
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