Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent…mehr
In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Joseph Luzzi is Associate Professor of Italian and Director of Italian Studies at Bard College, USA, and the author of Romantic Europe and the Ghost of Italy (2008), which received the MLA's Scaglione Prize for Italian Studies and was named an Outstanding Academic Title by Choice (2009).
Inhaltsangabe
List of Contributors Glossary Mattia Acetoso (Boston College, USA) Chronology Mattia Acestoso (Boston College, USA) Introduction Joseph Luzzi (Bard College, USA) Part I - Chronologies and Movements 1. Italian Silent Film Antonio Costa (Università di Padova, Italy) 2. Futurism and Film Michael Syrimis (Tulane University, USA) 3. The Never-Ending Story of Film and Fascism Vito Zagarrio (Università di Roma Tre, Italy) 4. Neorealism Giuliana Minghelli (McGill University, Canada) 5. The Orphaned Generation: Cinema of the 1980s and 1990s Alessia Ricciardi (Northwestern University, USA) 6. Persistence of Vision: Realism and the Popular in Italian Cinema of the New Millennium Millicent Marcus (Yale University, USA) Part II - Gender, Genre, Theory 7. The Five Faces of the Italian Femme Fatale Stephen Gundle (University of Warwick, UK) 8. Italian Women's Cinema and the Wounded Filmic Body Dana Renga (The Ohio State University, USA) 9. The Cinematic Evolution of Commedia all'Italiana Marcia Landy (University of Pittsburgh, USA) 10. Popular Italian Cinema Catherine O'Rawe (University of Bristol, UK) 11. Italian Film Theory, 1907-2015 Gabriele Pedullà (Università di Roma Tre, Italy) Part III - Relations and Debates 12. Film Music: "Kaos and the Taviani" Daniela Bini (University of Texas, Austin, USA) 13. Photography and Film Sarah Carey (McGraw-Hill Education) 14. Television and Film Stefano Baschiera (Queen's University Belfast, UK) 15. Italian Documentary and the Predicaments of the Auteur Luca Caminati (Concordia University, Canada) and Mauro Sassi (Independent Scholar) 16. The Global Impact of Italian Neorealism Laura E. Ruberto (Berkeley City College, USA) and Kristi M. Wilson (Soka University of America, USA) Part IV - Films in Focus 17. Cabiria Robert Rushing (University of Illinois, Urbana-Champaign, USA) 18. Senso Brendan Hennessey (Binghamton University, USA) 19. Bitter Rice Charles L. Leavitt IV (University of Notre Dame, USA) 20. La strada Federico Pacchioni (Chapman University, USA) 21. L'avventura John David Rhodes (University of Cambridge, UK) 22. Once upon a Time in the West Maryann McDonald Carolan (Fairfield University, USA) 23. Theorem Robert S.C. Gordon (University of Cambridge, UK) 24. The Conformist Michael Cramer (Sarah Lawrence College, USA) 25. Love and Anarchy Bernadette Luciano (University of Auckland, New Zealand) 26. The Best of Youth Alan O'Leary (University of Leeds, UK) Part V - Behind the Scenes 27. Sound and Soundtrack in Italian Cinema Monica Facchini (Colgate University, USA) 28. Screenwriting Cosetta Gaudenzi (University of Memphis, USA) 29. Open-Air Cinema Allison Cooper (Bowdoin College, USA) Index
List of Contributors Glossary Mattia Acetoso (Boston College, USA) Chronology Mattia Acestoso (Boston College, USA) Introduction Joseph Luzzi (Bard College, USA) Part I - Chronologies and Movements 1. Italian Silent Film Antonio Costa (Università di Padova, Italy) 2. Futurism and Film Michael Syrimis (Tulane University, USA) 3. The Never-Ending Story of Film and Fascism Vito Zagarrio (Università di Roma Tre, Italy) 4. Neorealism Giuliana Minghelli (McGill University, Canada) 5. The Orphaned Generation: Cinema of the 1980s and 1990s Alessia Ricciardi (Northwestern University, USA) 6. Persistence of Vision: Realism and the Popular in Italian Cinema of the New Millennium Millicent Marcus (Yale University, USA) Part II - Gender, Genre, Theory 7. The Five Faces of the Italian Femme Fatale Stephen Gundle (University of Warwick, UK) 8. Italian Women's Cinema and the Wounded Filmic Body Dana Renga (The Ohio State University, USA) 9. The Cinematic Evolution of Commedia all'Italiana Marcia Landy (University of Pittsburgh, USA) 10. Popular Italian Cinema Catherine O'Rawe (University of Bristol, UK) 11. Italian Film Theory, 1907-2015 Gabriele Pedullà (Università di Roma Tre, Italy) Part III - Relations and Debates 12. Film Music: "Kaos and the Taviani" Daniela Bini (University of Texas, Austin, USA) 13. Photography and Film Sarah Carey (McGraw-Hill Education) 14. Television and Film Stefano Baschiera (Queen's University Belfast, UK) 15. Italian Documentary and the Predicaments of the Auteur Luca Caminati (Concordia University, Canada) and Mauro Sassi (Independent Scholar) 16. The Global Impact of Italian Neorealism Laura E. Ruberto (Berkeley City College, USA) and Kristi M. Wilson (Soka University of America, USA) Part IV - Films in Focus 17. Cabiria Robert Rushing (University of Illinois, Urbana-Champaign, USA) 18. Senso Brendan Hennessey (Binghamton University, USA) 19. Bitter Rice Charles L. Leavitt IV (University of Notre Dame, USA) 20. La strada Federico Pacchioni (Chapman University, USA) 21. L'avventura John David Rhodes (University of Cambridge, UK) 22. Once upon a Time in the West Maryann McDonald Carolan (Fairfield University, USA) 23. Theorem Robert S.C. Gordon (University of Cambridge, UK) 24. The Conformist Michael Cramer (Sarah Lawrence College, USA) 25. Love and Anarchy Bernadette Luciano (University of Auckland, New Zealand) 26. The Best of Youth Alan O'Leary (University of Leeds, UK) Part V - Behind the Scenes 27. Sound and Soundtrack in Italian Cinema Monica Facchini (Colgate University, USA) 28. Screenwriting Cosetta Gaudenzi (University of Memphis, USA) 29. Open-Air Cinema Allison Cooper (Bowdoin College, USA) Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
