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Since its inception in the mid-1950s, the television drama has emerged as the dominant medium of contemporary storytelling in Italian society, with a steadily increasing supply of locally produced domestic dramas offering up competing versions of Italian identity. Informed by the nation's rich historical and cultural heritage-as well as a string of notable foreign imports-the narratives discussed here offer much insight into Italian society and highlight the wide array of television programming available outside of Britain and the United States.

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Produktbeschreibung
Since its inception in the mid-1950s, the television drama has emerged as the dominant medium of contemporary storytelling in Italian society, with a steadily increasing supply of locally produced domestic dramas offering up competing versions of Italian identity. Informed by the nation's rich historical and cultural heritage-as well as a string of notable foreign imports-the narratives discussed here offer much insight into Italian society and highlight the wide array of television programming available outside of Britain and the United States.


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Autorenporträt
Milly Buonanno is a retired professor of television studies at the Sapienza University of Rome. She is the founder and head of the Observatory of Italian TV Drama (1988-present), and the co-chair of the research unit GEMMA - GEnder and Media MAtters (2010-present). She sits on the editorial board of several international journals and is associate editor of the Journal of Italian Cinema & Media Studies. She has extensively researched and written on television theory and history, television drama, journalism and has pioneered gender and media studies in Italy. Her main book-length publications over the last decade include: The Age of Television (Intellect, 2008); Italian TV Drama and Beyond (Intellect, 2012); The Sage Handbook of Television Studies (Sage, 2014, co-edited with Manuel Alvarado, Herman Gray, Toby Miller); the edited collections Il prisma dei generi (Franco Angeli, 2014) and Television Antiheroines. Women Behaving Badly in Crime and Prison Drama (Intellect, 2017).