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Though it is an exaggeration to say that there are no flowers in Italian gardens, yet to enjoy and appreciate the Italian garden-craft one must always bear in mind that it is independent of floriculture.The Italian garden does not exist for its flowers; its flowers exist for it: they are a late and infrequent adjunct to its beauties, a parenthetical grace counting only as one more touch in the general effect of enchantment. This is no doubt partly explained by the difficulty of cultivating any but spring flowers in so hot and dry a climate, and the result has been a wonderful development of…mehr

Produktbeschreibung
Though it is an exaggeration to say that there are no flowers in Italian gardens, yet to enjoy and appreciate the Italian garden-craft one must always bear in mind that it is independent of floriculture.The Italian garden does not exist for its flowers; its flowers exist for it: they are a late and infrequent adjunct to its beauties, a parenthetical grace counting only as one more touch in the general effect of enchantment. This is no doubt partly explained by the difficulty of cultivating any but spring flowers in so hot and dry a climate, and the result has been a wonderful development of the more permanent effects to be obtained from the three other factors in garden-composition—marble, water and perennial verdure—and the achievement, by their skilful blending, of a charm independent of the seasons.

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Autorenporträt
EDITH WHARTON (1862-1937) was an American writer and designer. In 1921 she became the first woman to win the Pulitzer Prize in Fiction, for her novel The Age of Innocence. Her other works include The House of Mirth, Ethan Frome, and The Custom of the Country. In her lifetime, Wharton wrote eighteen novels, seven novellas, and eighty-five short stories, as well as poetry, books on design, travelogues, literary and cultural criticism, and a memoir.