James Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This collection considers Shirley within the culture of his time and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley's musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print.
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