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Jane Eyre may be poor, obscure, plain and little, but she has heart and soul – and plenty of it. Chris Bush's witty and fleet-footed adaptation lays bare the beating heart of Charlotte Brontë's classic novel, whilst staying true to its revolutionary spirit. With actor-musicians, playful doubling, and a plethora of nineteenth-century pop hits, it was first produced at the Stephen Joseph Theatre, Scarborough, and the New Vic Theatre, Newcastle-under-Lyme, in 2022, directed by Zoë Waterman. 'One of the UK's most exciting young playwrights' The Stage 'A writer of great wit and empathy' The Times

Produktbeschreibung
Jane Eyre may be poor, obscure, plain and little, but she has heart and soul – and plenty of it. Chris Bush's witty and fleet-footed adaptation lays bare the beating heart of Charlotte Brontë's classic novel, whilst staying true to its revolutionary spirit. With actor-musicians, playful doubling, and a plethora of nineteenth-century pop hits, it was first produced at the Stephen Joseph Theatre, Scarborough, and the New Vic Theatre, Newcastle-under-Lyme, in 2022, directed by Zoë Waterman. 'One of the UK's most exciting young playwrights' The Stage 'A writer of great wit and empathy' The Times

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Autorenporträt
Chris Bush is a playwright, lyricist and theatre-maker. Her plays include: Rock/Paper/Scissors (Sheffield Theatres, 2022); an adaptation of Charlotte Brontë's Jane Eyre (Stephen Joseph Theatre, Scarborough, and New Vic, Newcastle-under-Lyme, 2022); Hungry (Paines Plough, 2021); Faustus: That Damned Woman (Headlong, Lyric Hammersmith & Birmingham Rep, 2020); The Last Noël (Old Fire Station, Oxford, 2019); The Changing Room (National Theatre Connections, 2018); Steel (Sheffield Theatres, 2018); an adaptation of Pericles (National Theatre, London, 2018); The Assassination of Katie Hopkins, written with Matt Winkworth (Theatr Clwyd, 2018); What We Wished For and A Dream.