Jennifer Coates, Eyal Ben-Ari

Japanese Visual Media (eBook, PDF)

Politicizing the Screen

• Format: PDF

Produktbeschreibung

This book uncovers and explains the ways by which politics is naturalized and denaturalized, and familiarized and de-familiarized through popular media.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 232
• Erscheinungstermin: 12. August 2021
• Englisch
• ISBN-13: 9781000425987
• Artikelnr.: 62087838

Autorenporträt

Jennifer Coates is a senior lecturer in Japanese studies in the School of East Asian Studies, University of Sheffield, UK.
Eyal Ben-Ari is director of the Kinneret Center for Society, Security and Peace, Israel.

Inhaltsangabe

Introduction JENNIFER COATES AND EYAL BEN- ARI SECTION A Historical contexts 1 A question of form: dissent and the nouvelle vagueISOLDE STANDISH 2 Negotiating sex, the bizarre, and politics: the Abe Sada incident in
lms KATSUYUKI HIDAKA 3 The four lives of Matsugor
the Lawless: agency, constraint, and what is "worthy" of
lm censorship in trans-war Japan IRIS HAUKAMP 4 Tarzan and Japan: racial portraits of a nation in Boy Kenya DEANNA T. NARDY SECTION B Critique, contestation, and resistance 5 Down in the dumps: Tokyo wastelands and marginalized groups in Japanese
lm and anime ALISA FREEDMAN 6 Cinema at the edge of the world: visions of precarity in the
lms of Kumakiri Kazuyoshi LINDSAY NELSON 7 How to remember 3.11? Post-Fukushima documentary and the politics of T
hoku Documentary Trilogy (2011-2013) RAN MA SECTION C Creating the political subject through media 8 The Japanese self-defence forces and cinematic productions: resonance and reverberation in the normalization of organized state violence ATSUKO FUKUURA AND EYAL BEN-ARI 9 Politicizing the audience? Film fans' experiences of cinema in the 1960s JENNIFER COATES 10 Fading away from the screen: cinematic responses to queer ageing in contemporary Japanese cinema YUTAKA KUBO

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Introduction
JENNIFER COATES AND EYAL BEN- ARI

SECTION A
Historical contexts

1 A question of form: dissent and the nouvelle vague
ISOLDE STANDISH

2 Negotiating sex, the bizarre, and politics: the Abe Sada incident in films
KATSUYUKI HIDAKA

3 The four lives of Matsugor the Lawless: agency, constraint, and what is "worthy" of film censorship in trans-war Japan
IRIS HAUKAMP

4 Tarzan and Japan: racial portraits of a nation in Boy Kenya
DEANNA T. NARDY

SECTION B
Critique, contestation, and resistance

5 Down in the dumps: Tokyo wastelands and marginalized groups in Japanese film and anime
ALISA FREEDMAN

6 Cinema at the edge of the world: visions of precarity in the films of Kumakiri Kazuyoshi
LINDSAY NELSON

7 How to remember 3.11? Post-Fukushima documentary and the politics of T hoku Documentary Trilogy
(2011-2013)
RAN MA

SECTION C
Creating the political subject through media

8 The Japanese self-defence forces and cinematic productions: resonance and reverberation in the normalization of organized state violence
ATSUKO FUKUURA AND EYAL BEN-ARI

9 Politicizing the audience? Film fans' experiences of cinema in the 1960s
JENNIFER COATES

10 Fading away from the screen: cinematic responses to queer ageing in contemporary Japanese cinema
YUTAKA KUBO