Assaf Shelleg

Jewish Contiguities and the Soundtrack of Israeli History (eBook, PDF)

• Format: PDF

Produktbeschreibung

Jewish Contiguities and the Soundtrack of Israeli History unfolds the cultural itineraries of modern Jewish and Israeli art music. Extending from modern Jewish art music in Europe through its dislocation to British Palestine and Israel, the book captures the tensions between national rhetoric and nationalized theological tropes through the way they have been recorded in art music. Author Assaf Shelleg begins with the prehistory of Israeli art music in central and Western Europe. He introduces the reader to the various aesthetic dilemmas in the history of modern Jewish art music, ranging from auto-exoticism to Jewish self-hatred. Moving on to consider the Hebrew culture, he discusses the institutionalization of art music in British Palestine and the dilution of romanticist nationalism during the interregnum of Israeli statehood. Delving into the proliferation of styles in the 1950s and '60s, Shelleg examines the collapse of traditional Hebrew templates and the concomitant surge of linear compositional devices inspired by Arab Jewish music. By the 1970s, he reveals, Israeli composers saw musical Judaism as a cultural discourse that transcended the nation; they deterritorialized the national discourse at the same time that religious Zionist circles had been translating theology into politics. Shelleg unearths the various cultural constraints and dialectics that played a pivotal role in the dislocation of modern Jewish art music to Israel, and looks at the Jewish undercurrents of Hebrew culture and how Jewish secularized concepts outgrew their national functions. Jewish Contiguities and the Soundtrack of Israeli History will be essential reading for scholars of Jewish and Israeli music, culture, and history

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 224
• Erscheinungstermin: 15. Oktober 2014
• Englisch
• ISBN-13: 9780199354955
• Artikelnr.: 41660818

Autorenporträt

Assaf Shelleg, an Israeli musicologist and pianist, is a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011-14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009-11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg is also a regular musical contributor to Haaretz newspaper.

Inhaltsangabe

Jewish Contiguities and the Soundtrack of Israeli History
TABLE OF CONTENTS
Jewish Contiguities
Abbreviations
I
Hava Nagila? Decentering the Eastern European Soundscape
Jewish Inversions
Aesthetic Confines
Rethinking Bloch
Disarticulating Jewishness
Historiographical Silhouettes
Control Cases
In Lieu of a Summary
II
From Pre- to Post-Statehood; Hebrewism Diluted
Ringing the Bells-and-Whistles of the Zionist Project: National Musical Onomatopoeias
Adjacent yet Oppositional: Subversive Hebrewists
Statehood and the Demise of Romanticist Nationalism
Destabilizing Western Metaphors of the East
Consuming the Source
Thematic Incongruities (or, Violating Ciarological Time)
III
1960s-1970s; Articulating Jewishness in Israeli Art Music
Enter the New Pioneers
The Multivocal Negation of the Diaspora and its Dissolution
Avni: Counterpointing Modes of Memory
Epitaph for Whom?
Kopytman: Transcribing Jewish Heterophonies
Hebrewism Diluted; Judaism Deterritorialized
Muting Oneself
Postlude; Reshuffling Historiographical Cards