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Literary journalism is a rich field of study that has played an important role in the creation of the English and American literary canons. In this original and engaging study, Doug Underwood focuses on the many notable journalists-turned-novelists found at the margins of fact and fiction since the early eighteenth century, when the novel and the commercial periodical began to emerge as powerful cultural forces. Writers from both sides of the Atlantic are discussed, from Daniel Defoe to Charles Dickens, and from Mark Twain to Joan Didion. Underwood shows how many literary reputations are built…mehr

Produktbeschreibung
Literary journalism is a rich field of study that has played an important role in the creation of the English and American literary canons. In this original and engaging study, Doug Underwood focuses on the many notable journalists-turned-novelists found at the margins of fact and fiction since the early eighteenth century, when the novel and the commercial periodical began to emerge as powerful cultural forces. Writers from both sides of the Atlantic are discussed, from Daniel Defoe to Charles Dickens, and from Mark Twain to Joan Didion. Underwood shows how many literary reputations are built on journalistic foundations of research and reporting, and how this impacts on questions of realism and authenticity throughout the work of many canonical authors. This book will be of great interest to researchers and students of British and American literature.

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Autorenporträt
Doug Underwood is a professor of communication at the University of Washington who teaches in the areas of journalism and literature, media and religion, journalism and trauma, and media ethics and management. He is the author of five books and has won a Distinguished Book Award from the Society for the Scientific Study of Religion (SSSR). He also worked as a political and investigative journalist for The Seattle Times, the Gannett News Service's Washington, D. C. bureau, and the Lansing State Journal in Michigan.