Aleksander Tisma

Kapo (eBook, ePUB)

Übersetzer: Williams, Richard

• Format: ePub

Produktbeschreibung

A devastating novel about the attrocities of WWII, and the unspeakable things people did to survive, by one of Yugoslavia's great literary voices. Lamian is a survivor, but a survivor of a very special kind. He was a Kapo, a prisoner who served as a camp guard in order to save himself. But has Lamian saved himself? The war over, he resumes life in the Bosnian town of Banja Luka, works in a land-surveying office, rents a room, eats as many hot potatoes as he likes, not even bothering to salt them-the quantity is what matters. If only he could stop looking over his shoulder and flinching on the street in the fear that some stranger will step forward, smack his face, and say in a loud voice, "Here's one!" If only he could stop worrying about Helena Lifka, who turned out to be a Yugoslav, and Jewish too; one of the women he made come naked into the toolshed where he hid the gold, and sit on his lap in exchange for bread and butter and a little warm milk. She could turn up any day, an old woman now, and point an accusing finger. In this masterful novel, Aleksandar Tišma shows step by step how fear can turn an ordinary human being into a monster.

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Produktdetails

• Verlag: New York Review Books
• Seitenzahl: 312
• Erscheinungstermin: 7. September 2021
• Englisch
• ISBN-13: 9781681374406
• Artikelnr.: 57820255

Autorenporträt

Aleksandar Tišma (1924-2003) was born in the Vojvodina, a former province of the Austro-Hungarian Empire that had been incorporated into the new Kingdom of Yugoslavia after the First World War. His father, a Serb, came from a peasant background; his mother was middle-class and Jewish. The family lived comfortably, and Tišma received a good education. In 1941, Hungary annexed Vojvodina; the next year-Tišma's last in high school-the regime carried out a series of murderous pogroms, killing some 3,000 inhabitants, primarily Serbs and Jews, though the Tišmas were spared. After fighting for the Yugoslav partisans, Tišma studied philosophy at Belgrade University and went into journalism and in 1949 joined the editorial staff of a publishing house, where he remained until his retirement in 1980. Tišma published his first story, "Ibika's House," in 1951; it was followed by the novels Guilt and In Search of the Dark Girl and a collection of stories, Violence. In the 1970s and '80s, he gained international recognition with the publication of his Novi Sad trilogy: The Book of Blam (1971), about a survivor of the Hungarian occupation of Novi Sad; The Use of Man (1976), which follows a group of friends through the Second World War and after; and Kapo (1987), the story of a Jew raised as a Catholic who becomes a guard in a German concentration camp. Tišma moved to France after the outbreak of war and collapse of Yugoslavia in the early 1990s, but in 1995 he returned to Novi Sad, where he spent his last years. Richard Williams's translations from the Serbo-Croatian include the Siniša Kovacevic play Novo je doba (Times Have Changed). David Rieff is the author of ten books, including The Exile: Cuba in the Heart of Miami; Slaughterhouse: Bosnia and the Failure of the West; A Bed for the Night: Humanitarianism in Crisis; Swimming in a Sea of Death: A Son's Memoir; and, most recently, In Praise of Forgetting: Historical Memory and its Ironies.

Rezensionen

A book whose darkness, mercilessness, and intensity cannot be suppressed. Neue Zürcher Zeitung

A brooding, curiously prescient saga. . . . A probing, exceptional study of a man as both victim and tormentor, and more. Kirkus Reviews

[Kapo is] the last and best book in the Novi Sad trilogy. . . . [Ti ma s] fiction is merciless, bereft of relief or respite. It is the work of a documentarian accustomed to confronting atrocity without allowing himself the indulgence of looking away. Becca Rothfeld, Sidecar, The New Left Review

An unblinking portrayal of evil for which there is no penance, from whose guilt there is no relief, and for whose knowledge the only escape is death. . . . Kapo is a palimpsest of horrible knowledge, obtained through unbearable means, and its unique value, even greater than Ti ma s other novels, lies in the rarity and moral necessity of its knowledge, delivered as painfully transparent art. David Auerbach, Apofenie