Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Autorenporträt
Keorapetse Kgositsile (1938–2018) was chosen as South Africa’s national poet laureate in 2006. He taught at the University of Dar es Salaam, Nairobi University, and Sarah Lawrence College. His publications include The Present Is a Dangerous Place to Live, If I Could Sing: Selected Poems, and This Way I Salute You. Phillippa Yaa de Villiers is an award-winning South African writer, performance artist, and lecturer at the University of the Witwatersrand. Uhuru Portia Phalafala is a lecturer at Stellenbosch University.
Inhaltsangabe
Editors’ Note: In the Original . . . Introduction in Two Movements Spirits Unchained (1969) To Gloria For LeRoi Jones, April, 1965 When Brown Is Black Brother Malcolm’s Echo Mandela’s Sermon Elegy for David Diop Ivory Masks in Orbit Lumumba Section Spirits Unchained To Fanon Song for Aimé Césaire My Name Is Afrika For Spellman at Spelman I Am Music People Origins For Melba (1970) And the Long Story Song for Melba mmabatho: Dakar, 1966 The Creator Indeed in Deed For Those Who Love & Care True Blue Of Death and Lives Death Doses Death Doses No. 2 Death Doses No. 3 My People When Nothing Moves Come Duze 3000 Miles Apart Of Us for Us In Time By A. B. Inspired Tropics For Melba My Name Is Afrika (1971) The Air I Hear Impulse Shotgun Mayibuye iAfrika Could Be Random Notes to My Son To Mother My People No Longer Sing To a Black Woman, Insane To My Daughter Sift and Shift Vector or Legacy Bleached Callouses, Africa, 1966 The Lip Trick The Nitty-Gritty Time New Dawn Inherent and Inherited Mistrusts Symptoms Flirtation Conditioned Innuendo Axiomatic Bandung Dance For Afroamerica No Celebration In the Nude Of Yesterday’s Tomorrows Epitaph Like the Tide: Cloudward No Tears in the Tide Towards a Walk in the Sun The Spearhead Wind Strides The Gods Wrote The Long Reach The New Breed For Eusi, Ayi Kwei & Gwen Brooks Recreation Point of Departure: Fire Dance Fire Song I. The Elegance of Memory II. Lumumba Section III. Fire Dance IV. Spirits Unchained For Sons of Sonless Fathers Notes from No Sanctuary The Present Is a Dangerous Place to Live (1974, 1993) For Ipeleng The Present Is a dangerous Place to Live . . . One I. In the Mourning II. Beware of Dreams III. Without Shadow IV. Mirrors, without Song Mystique There Are No Sanctuaries except in Purposeful Action . . . Two 1. 2. When Things Fall Apart 3. Exile 4. Perception 5. Logistics . . . Three Blues for Some Literary Friends & Myself Home Is Where the Music Is . . . Four For Billie Holiday For Art Blakey and the Jazz Messengers For B. B. King and Lucille Acknowledgement Pro/Creation For Hughie Masekela Places and Bloodstains (1975) Requiem for My Mother Epitaph for Can Themba For Gwigwi For TW For Otis Redding Here We Are Like the Present Letter to Skunder For Zeke and Dennis For Cecil Abrahams After Mongane Son of Mokae Song for Ilva Mackay and Mongane For Montshiwa & Phetoe Open Letter Places and Bloodstains Heartprints (1980) Letter to Ipeleng on Her Birthday 1976 When the Clouds Clear (1990) The Long Arm of the Blues The Same Strip of Land Rites of Passage Dance Morning in Tunis Sharper Than Any Blade You Know Bleeding Red Luthuli Detachment When the Clouds Clear Red Song From Now On. . . . For Olinka An Injury to One Is an Injury to All Every Patriot a Combatant Quest Kate June 16 Year of the Spear Chimid: A Memorial Seaparankoe Here You Almost Started A Luta Continua New Age Manifesto South Africa Salutes Uzbekistan To the Bitter End (1995) Coil of Time What Time Is It? In the Wheeling and Dealing Time Rites of Passage: (1991) Dumalisile I Am Manboy When the Deal Goes Down Years without Tears Strange Rituals Grand Papa Dhlomo For David Rubadiri For Bra Ntemi Fidelity Montage: Bouctou Lives Heart to Heart We Are All Involved Even Skin Disappears If I Could Sing (2002) Recollections Venceremos Affirmation Memorial If I Could Sing Renaissance Rejoice This Way I Salute You (2004) For Johnny Dyani Santamaria Cassandra Wilson Will Sing Where Her Eye Sits eThekwini For Gloria Bosman For Our Mother of the Heavy Names Homesoil in My Blood (2018) No Boundaries No Serenity Here Letter from Havana In the Naming Anguish Longer Than Sorrow Wounded Dreams I Am No Stranger We Are All Involved (2012) Of Shadows and Chameleons Festive Heart I Know a Few Things New Day For Fernando, Gloria, Eduardo and the 2012 Team For Sterling Plumpp For Hu Xiancheng Uncollected (1971) Carbon-Copy Whiteman or Sexual Refugee The Awakening Manifesto (1971) ‘Yes, Mandela, We Shall Be Moved’ Fruitful Seed (1971) Freedom Train, 1965 Introduction to a Future History Book Source Acknowledgments
Editors’ Note: In the Original . . . Introduction in Two Movements Spirits Unchained (1969) To Gloria For LeRoi Jones, April, 1965 When Brown Is Black Brother Malcolm’s Echo Mandela’s Sermon Elegy for David Diop Ivory Masks in Orbit Lumumba Section Spirits Unchained To Fanon Song for Aimé Césaire My Name Is Afrika For Spellman at Spelman I Am Music People Origins For Melba (1970) And the Long Story Song for Melba mmabatho: Dakar, 1966 The Creator Indeed in Deed For Those Who Love & Care True Blue Of Death and Lives Death Doses Death Doses No. 2 Death Doses No. 3 My People When Nothing Moves Come Duze 3000 Miles Apart Of Us for Us In Time By A. B. Inspired Tropics For Melba My Name Is Afrika (1971) The Air I Hear Impulse Shotgun Mayibuye iAfrika Could Be Random Notes to My Son To Mother My People No Longer Sing To a Black Woman, Insane To My Daughter Sift and Shift Vector or Legacy Bleached Callouses, Africa, 1966 The Lip Trick The Nitty-Gritty Time New Dawn Inherent and Inherited Mistrusts Symptoms Flirtation Conditioned Innuendo Axiomatic Bandung Dance For Afroamerica No Celebration In the Nude Of Yesterday’s Tomorrows Epitaph Like the Tide: Cloudward No Tears in the Tide Towards a Walk in the Sun The Spearhead Wind Strides The Gods Wrote The Long Reach The New Breed For Eusi, Ayi Kwei & Gwen Brooks Recreation Point of Departure: Fire Dance Fire Song I. The Elegance of Memory II. Lumumba Section III. Fire Dance IV. Spirits Unchained For Sons of Sonless Fathers Notes from No Sanctuary The Present Is a Dangerous Place to Live (1974, 1993) For Ipeleng The Present Is a dangerous Place to Live . . . One I. In the Mourning II. Beware of Dreams III. Without Shadow IV. Mirrors, without Song Mystique There Are No Sanctuaries except in Purposeful Action . . . Two 1. 2. When Things Fall Apart 3. Exile 4. Perception 5. Logistics . . . Three Blues for Some Literary Friends & Myself Home Is Where the Music Is . . . Four For Billie Holiday For Art Blakey and the Jazz Messengers For B. B. King and Lucille Acknowledgement Pro/Creation For Hughie Masekela Places and Bloodstains (1975) Requiem for My Mother Epitaph for Can Themba For Gwigwi For TW For Otis Redding Here We Are Like the Present Letter to Skunder For Zeke and Dennis For Cecil Abrahams After Mongane Son of Mokae Song for Ilva Mackay and Mongane For Montshiwa & Phetoe Open Letter Places and Bloodstains Heartprints (1980) Letter to Ipeleng on Her Birthday 1976 When the Clouds Clear (1990) The Long Arm of the Blues The Same Strip of Land Rites of Passage Dance Morning in Tunis Sharper Than Any Blade You Know Bleeding Red Luthuli Detachment When the Clouds Clear Red Song From Now On. . . . For Olinka An Injury to One Is an Injury to All Every Patriot a Combatant Quest Kate June 16 Year of the Spear Chimid: A Memorial Seaparankoe Here You Almost Started A Luta Continua New Age Manifesto South Africa Salutes Uzbekistan To the Bitter End (1995) Coil of Time What Time Is It? In the Wheeling and Dealing Time Rites of Passage: (1991) Dumalisile I Am Manboy When the Deal Goes Down Years without Tears Strange Rituals Grand Papa Dhlomo For David Rubadiri For Bra Ntemi Fidelity Montage: Bouctou Lives Heart to Heart We Are All Involved Even Skin Disappears If I Could Sing (2002) Recollections Venceremos Affirmation Memorial If I Could Sing Renaissance Rejoice This Way I Salute You (2004) For Johnny Dyani Santamaria Cassandra Wilson Will Sing Where Her Eye Sits eThekwini For Gloria Bosman For Our Mother of the Heavy Names Homesoil in My Blood (2018) No Boundaries No Serenity Here Letter from Havana In the Naming Anguish Longer Than Sorrow Wounded Dreams I Am No Stranger We Are All Involved (2012) Of Shadows and Chameleons Festive Heart I Know a Few Things New Day For Fernando, Gloria, Eduardo and the 2012 Team For Sterling Plumpp For Hu Xiancheng Uncollected (1971) Carbon-Copy Whiteman or Sexual Refugee The Awakening Manifesto (1971) ‘Yes, Mandela, We Shall Be Moved’ Fruitful Seed (1971) Freedom Train, 1965 Introduction to a Future History Book Source Acknowledgments
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
