Keywords in Remix Studies (eBook, PDF)

Redaktion: Navas, Eduardo; Burrough, Xtine; Gallagher, Owen

• Format: PDF

Produktbeschreibung

This book consists of 24 chapters authored by researchers who share interests in remix studies and remix culture throughout the arts and humanities. The essays reflect on the critical, historical and theoretical lineage of remix to the technological production that makes contemporary forms of communication and creativity possible.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 322
• Erscheinungstermin: 27. November 2017
• Englisch
• ISBN-13: 9781315516400
• Artikelnr.: 50402110

Autorenporträt

Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (2012) and Spate: A Navigational Theory of Networks (2016). He is co-editor of The Routledge Companion to Remix Studies (2015). He currently researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at Pennsylvania State University, PA. He is Research Faculty in the College of Arts and Architecture's Arts & Design Research Incubator (ADRI), and a Center for Humanities and Information Research Fellow (CHI) also at Pennsylvania State University. Owen Gallagher is a lecturer of Web Media at Bahrain Polytechnic, specializing in graphic design, filmmaking, animation and interactive media. He received his Ph.D. in Visual Culture from the National College of Art and Design (NCAD) and has published a number of book chapters and journal articles on remix culture, intellectual property and visual semiotics, as well as presenting his research internationally. Gallagher is a co-editor of The Routledge Companion to Remix Studies (2015) and maintains a number of websites including totalrecut.com, an online community archive of remix videos, and criticalremix.com, an outlet for ongoing remix-related research. xtine burrough makes participatory projects for networked publics. burrough is co-editor of The Routledge Companion to Remix Studies (2015), author of Foundations of Digital Art and Design (2013), and editor of Net Works: Case Studies in Web Art and Design (2011). She is editor of The Visual Communication Quarterly. An associate professor in the School of Arts, Technology, and Emerging Communication at the University of Texas at Dallas, burrough co-directs the Social Practice & Community Engagement (SP&CE) Media Lab and LabSynthE, a laboratory for the creative investigation of synthetic and electronic poetry.

Inhaltsangabe

Introduction
Eduardo Navas, Owen Gallagher, xtine burrough
1 Appropriation
Authored in Collaboration with Contributors
2 Archive
Richard Rinehart
3 Authorship
John Vallier
4 Bricolage
Annette N. Markham
5 Collaborative
Aram Sinnreich
6 Consumerism
Pau Figueres
7 Copyright/Fair Use
Patricia Aufderheide
8 Cut-up
Janneke Adema
9 Creativity
xtine burrough and Frank Dufour
10 Deconstruction
David J. Gunkel
11 DIY Culture
Akane Kanai
12 Fan Culture
Joshua Wille
13 Feminism
Karen Keifer-Boyd and Christine Liao
14 Intellectual Property
Nate Harrison
15 Jazz
T Storm Heter
16 Location
Dahlia Borsche, translated by Jill Denton
17 Mashup
Nate Harrison and Eduardo Navas
18 Memes
Authored in Collaboration with Contributors
19 Parody
Mark Nunes
20 Participatory Politics
Henry Jenkins and Thomas J Billard, with Samantha Close, Yomna Elsayed,
Michelle C. Forelle, Rogelio Lopez, and Emilia Yang
21 Remix
Eduardo Navas
22 Sampling
Owen Gallagher
23 Transformative
Francesca Coppa and Rebecca Tushnet
24 Versioning
Paul D. Miller aka DJ Spooky