There are various connection lines between photography and war. Since more than three decades, these connection lines have been the subject of historical interest. In recent years, culture and media-scientific informed approaches have enlarged the principles of photography and history and raised new issues. Photography of world wars were pertaining to research for a long time. However, even photographical methods in the context of other conflicts are being focussed. This issue follows up on these innovative research tendencies and includes four essays with different scientific approaches which deal with wars of the first half of the 20th century which took place outside or at the borders of Europe. What kind of concepts did the photography (re-) produce in the war communication context of the world, of the familiar and the foreign as well as the power relationships? How did the photographers acquire, use, misuse these concepts and how did they affirm, modify and violate existing interpretations?
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