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This book addresses some of the questions that have been brought to light by the varied experiences of culture industry workers and consumer publics across East Asia over the past decade. This book was originally published as a special issue of Culture, Theory and Critique .
This book addresses some of the questions that have been brought to light by the varied experiences of culture industry workers and consumer publics across East Asia over the past decade. This book was originally published as a special issue of Culture, Theory and Critique.
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Autorenporträt
Teri Silvio is an Associate Research Fellow at the Institute of Ethnology at the Academia Sinica, Taiwan. She is the author of Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan (2019). Lily H. Chumley is Associate Professor of Media, Culture and Communication at New York University, USA. She is the author of Creativity Class: Art School and Culture Work in Postsocialist China (2016).
Inhaltsangabe
1. Introduction: After creativity: labour, policy, and ideology in East Asian creative industries 2. Korea's blacklist scandal: governmentality, culture, and creativity 3. Cool governance: Japan's ubiquitous society, surveillance, and creative industries 4. Nation branding in contemporary Taiwan: a grassroots perspective 5. Representing creative labour and identity in Singaporean graphic novels: Sonny Liew and Troy Chin 6. The 'diaspora advantage' of Pauline Chan (1956-): from multicultural filmmaker to cultural broker 7. The paradoxes of creativity in Guangzhou, China's wholesale market for fast fashion
1. Introduction: After creativity: labour, policy, and ideology in East Asian creative industries 2. Korea's blacklist scandal: governmentality, culture, and creativity 3. Cool governance: Japan's ubiquitous society, surveillance, and creative industries 4. Nation branding in contemporary Taiwan: a grassroots perspective 5. Representing creative labour and identity in Singaporean graphic novels: Sonny Liew and Troy Chin 6. The 'diaspora advantage' of Pauline Chan (1956-): from multicultural filmmaker to cultural broker 7. The paradoxes of creativity in Guangzhou, China's wholesale market for fast fashion
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