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  • Format: ePub

It was a matter of some urgency: a wolf was loose in the woods. And being loose in the woods, he could get into the garden.
"Whatever you do," said Dad. "Don't go out the gate. You don't want the wolf to eat you."
Laila went out the door, but the wolf was already in the garden.
"There you are!" he cried. "I was wondering where you got to."
"What are you doing here?" she cried. "This is my garden."
"Well," said the wolf, "you're not in your garden. You're in my garden now."
***
Dreamy tomboy, Laila meets Cyril, a rebellious gnome and passes through a charmed gate into the
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Produktbeschreibung
It was a matter of some urgency: a wolf was loose in the woods. And being loose in the woods, he could get into the garden.

"Whatever you do," said Dad. "Don't go out the gate. You don't want the wolf to eat you."

Laila went out the door, but the wolf was already in the garden.

"There you are!" he cried. "I was wondering where you got to."

"What are you doing here?" she cried. "This is my garden."

"Well," said the wolf, "you're not in your garden. You're in my garden now."

***

Dreamy tomboy, Laila meets Cyril, a rebellious gnome and passes through a charmed gate into the Garden. Here she meets Mr Whizz and fulfils her dream to become a rider of cornies. When the shape-shifter Smarm and his army of loopy wolves capture her gnome friends and steal the magic strawbs, Laila and Cyril help the Mistress Dido win them back.


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Autorenporträt
Born in Poole, Dorset, in 1965, Sedley Proctor grew up in London and was educated in Winchester and Nottingham. In the 1990s, he worked in fringe theatre and was involved in productions of Macbeth and Bertolt Brecht's In the Jungle of Cities. His own play, Salt Lake Psycho about the notorious murderer, Gary Gilmore was put on at the now defunct Man in the Moon theatre in London, Chelsea. From the mid-nineties until 2013 he lived and worked as a teacher and translator in Southern Italy. In Italy he continued to experiment with his writing, devising an invented dialect, writing a blog satirizing the international politics of the early 2000s, collaborating on a screenplay with French writer, Claude Albanese, and performing his poetry in front of bemused locals and amused ex-pats. Apart from his own books, he writes under the aliases F.M. Frites and M.T. Sands.