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In this remarkable collection, John Milton showcases his profound versatility and mastery of poetic form through four distinct yet thematically interconnected works: 'L'Allegro,' 'Il Penseroso,' 'Comus,' and 'Lycidas.' Each poem engages with contrasting human experiences'Äîjoy and melancholy, reason and imagination, and the transience of life. Written in vibrant and intricate verse, Milton's styling balances classical influences with emerging Renaissance ideals, particularly emphasizing the interplay between virtue and vice. The pastoral elegance and philosophical depth of these pieces reflect…mehr

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Produktbeschreibung
In this remarkable collection, John Milton showcases his profound versatility and mastery of poetic form through four distinct yet thematically interconnected works: 'L'Allegro,' 'Il Penseroso,' 'Comus,' and 'Lycidas.' Each poem engages with contrasting human experiences'Äîjoy and melancholy, reason and imagination, and the transience of life. Written in vibrant and intricate verse, Milton's styling balances classical influences with emerging Renaissance ideals, particularly emphasizing the interplay between virtue and vice. The pastoral elegance and philosophical depth of these pieces reflect Milton's deft skill in blending allegory with lyrical beauty, all while inviting readers to contemplate the moral and existential nuances present within the human condition. John Milton (1608-1674) was a key figure in the English Renaissance, whose works were often influenced by his fervent political views, deep religious convictions, and a personal tragedy that left him blind in later years. His early education at Cambridge and exposure to a myriad of classical texts and contemporary thought deeply informed his poetry. Notably, 'Lycidas,' written as a pastoral elegy for a fallen friend, reveals Milton's early exploration of loss, while 'Comus' incorporates themes of temptation amidst a backdrop of social commentary, reflecting Milton's engagement with the pressures of his time. This collection is an essential read for anyone interested in the evolution of English poetry and the ways in which Milton's early works laid the groundwork for his later masterpieces such as 'Paradise Lost.' Readers will find in these poems a rich tapestry of themes that resonate through time, inviting reflection on the nature of joy, contemplation, temptation, and mortality. Milton's ability to articulate complex emotions and philosophical quandaries makes this collection not only a treasure trove of literary artistry but also a profound exploration of the human experience.

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Autorenporträt
John Milton (9 December 1608 - 8 November 1674) was an English poet and intellectual, who served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. He wrote at a time of religious flux and political upheaval, and is best known for his epic poem Paradise Lost (1667). Writing in English, Latin, Greek, and Italian, he achieved international renown within his lifetime, and his celebrated Areopagitica (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of speech and freedom of the press. His desire for freedom extended into his style: he introduced new words (coined from Latin) to the English language, and was the first modern writer to employ non-rhymed verse outside of the theatre or translations. William Hayley's 1796 biography called him the greatest English author, and he remains generally regarded as one of the preeminent writers in the English language, though critical reception has oscillated in the centuries since his death (often on account of his republicanism). Samuel Johnson praised Paradise Lost as "a poem which...with respect to design may claim the first place, and with respect to performance, the second, among the productions of the human mind," though he (a Tory and recipient of royal patronage) described Milton's politics as those of an "acrimonious and surly republican." Poets such as William Blake, William Wordsworth and Thomas Hardy revered him.