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Landscape is a stimulating introduction to and contemporary understanding of one of the most important concepts within human geography. A series of different influential readings of landscape are debated and explored, and, for the first time, distinctive traditions of landscape writing are brought together and examined as a whole, in a forward-looking critical review of work by cultural geographers and others within the last twenty to thirty years. This book clearly and concisely explores a landscapea (TM) theories and writings, allowing students of geography, environmental studies and…mehr
Landscape is a stimulating introduction to and contemporary understanding of one of the most important concepts within human geography. A series of different influential readings of landscape are debated and explored, and, for the first time, distinctive traditions of landscape writing are brought together and examined as a whole, in a forward-looking critical review of work by cultural geographers and others within the last twenty to thirty years. This book clearly and concisely explores a landscapea (TM) theories and writings, allowing students of geography, environmental studies and cultural studies to fully comprehend this vast and complex topic. To aid the student, vignettes are used to highlight key writers, papers and texts. Annotated further reading and student exercises are also included. For researchers and lecturers, Landscape presents a forward-looking synthesis of hitherto disparate fields of inquiry, one which offers a platform for future research and writing.
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Autorenporträt
DR JOHN WYLIE is Senior Lecturer in Cultural Geography in the School of Geography, Archaeology and Earth Resources at the University of Exeter. His research and teaching focuses upon landscape, the body and creative critical practice in cultural geography
Inhaltsangabe
1. Introduction 1.1 Tensions 1.2 Aims and Structures of Landscape 1.3 Conclusion: Looking Forward 2. Landscaping Traditions 2.1 Introduction 2.2 Carl Sauer and Cultural Landscape 2.3 W.G. Hoskins: Landscape, Nostalgia and Melancholy 2.4 J.B. Jackson and 'Vernacular' Landscape 2.5 Conclusion 3. Ways of Seeing 3.1 Introduction 3.2 Landscape and Linear Perspective: Art, Geometry, Optics 3.3 Cultural Marxism, Art History and Landscape 3.4 Cultural Marxism and Cultural Geography: Landscape as 'Veil' 3.5 Landscape as Text: Semiotics and the Construction of Cultural Meaning 3.6 Feminism and Psychoanalysis: Landscape as Gaze 3.7 Discussion and Summary 4. Cultures of Landscape 4.1 Introduction 4.2 Material Anxieties 4.3 Landscape, Production and Labour 4.4 Cultures of Landscape: The Self, Power and Discourse 4.5 Landscape, Travel and Imperialism 4.6 Conclusion 5. Landscape Phenomenology 5.1 Introduction 5.2 Introducing Phenomenology: From Disembodied Gaze to Lived Body 5.3 Landscape and Dwelling 5.4 'Landscaping': Phenomenology, Non-representational Theory and Performance 5.5 Critiques of Landscape Phenomenology 5.6 Conclusion 6. Prospects for Landscape 6.1 Introduction 6.2 Memory, Identity, Conflict and Justice 6.3 Landscape and Polity and Law 6.4 The Ends of Landscape?: Relationality, Vitalism and Topological 6.5 Landscape Writing: Biography, Movement, Presence and Affect 6.6 Conclusion: Creative Tensions
1. Introduction 1.1 Tensions 1.2 Aims and Structures of Landscape 1.3 Conclusion: Looking Forward 2. Landscaping Traditions 2.1 Introduction 2.2 Carl Sauer and Cultural Landscape 2.3 W.G. Hoskins: Landscape, Nostalgia and Melancholy 2.4 J.B. Jackson and 'Vernacular' Landscape 2.5 Conclusion 3. Ways of Seeing 3.1 Introduction 3.2 Landscape and Linear Perspective: Art, Geometry, Optics 3.3 Cultural Marxism, Art History and Landscape 3.4 Cultural Marxism and Cultural Geography: Landscape as 'Veil' 3.5 Landscape as Text: Semiotics and the Construction of Cultural Meaning 3.6 Feminism and Psychoanalysis: Landscape as Gaze 3.7 Discussion and Summary 4. Cultures of Landscape 4.1 Introduction 4.2 Material Anxieties 4.3 Landscape, Production and Labour 4.4 Cultures of Landscape: The Self, Power and Discourse 4.5 Landscape, Travel and Imperialism 4.6 Conclusion 5. Landscape Phenomenology 5.1 Introduction 5.2 Introducing Phenomenology: From Disembodied Gaze to Lived Body 5.3 Landscape and Dwelling 5.4 'Landscaping': Phenomenology, Non-representational Theory and Performance 5.5 Critiques of Landscape Phenomenology 5.6 Conclusion 6. Prospects for Landscape 6.1 Introduction 6.2 Memory, Identity, Conflict and Justice 6.3 Landscape and Polity and Law 6.4 The Ends of Landscape?: Relationality, Vitalism and Topological 6.5 Landscape Writing: Biography, Movement, Presence and Affect 6.6 Conclusion: Creative Tensions
1. Introduction 1.1 Tensions 1.2 Aims and Structures of Landscape 1.3 Conclusion: Looking Forward 2. Landscaping Traditions 2.1 Introduction 2.2 Carl Sauer and Cultural Landscape 2.3 W.G. Hoskins: Landscape, Nostalgia and Melancholy 2.4 J.B. Jackson and 'Vernacular' Landscape 2.5 Conclusion 3. Ways of Seeing 3.1 Introduction 3.2 Landscape and Linear Perspective: Art, Geometry, Optics 3.3 Cultural Marxism, Art History and Landscape 3.4 Cultural Marxism and Cultural Geography: Landscape as 'Veil' 3.5 Landscape as Text: Semiotics and the Construction of Cultural Meaning 3.6 Feminism and Psychoanalysis: Landscape as Gaze 3.7 Discussion and Summary 4. Cultures of Landscape 4.1 Introduction 4.2 Material Anxieties 4.3 Landscape, Production and Labour 4.4 Cultures of Landscape: The Self, Power and Discourse 4.5 Landscape, Travel and Imperialism 4.6 Conclusion 5. Landscape Phenomenology 5.1 Introduction 5.2 Introducing Phenomenology: From Disembodied Gaze to Lived Body 5.3 Landscape and Dwelling 5.4 'Landscaping': Phenomenology, Non-representational Theory and Performance 5.5 Critiques of Landscape Phenomenology 5.6 Conclusion 6. Prospects for Landscape 6.1 Introduction 6.2 Memory, Identity, Conflict and Justice 6.3 Landscape and Polity and Law 6.4 The Ends of Landscape?: Relationality, Vitalism and Topological 6.5 Landscape Writing: Biography, Movement, Presence and Affect 6.6 Conclusion: Creative Tensions
1. Introduction 1.1 Tensions 1.2 Aims and Structures of Landscape 1.3 Conclusion: Looking Forward 2. Landscaping Traditions 2.1 Introduction 2.2 Carl Sauer and Cultural Landscape 2.3 W.G. Hoskins: Landscape, Nostalgia and Melancholy 2.4 J.B. Jackson and 'Vernacular' Landscape 2.5 Conclusion 3. Ways of Seeing 3.1 Introduction 3.2 Landscape and Linear Perspective: Art, Geometry, Optics 3.3 Cultural Marxism, Art History and Landscape 3.4 Cultural Marxism and Cultural Geography: Landscape as 'Veil' 3.5 Landscape as Text: Semiotics and the Construction of Cultural Meaning 3.6 Feminism and Psychoanalysis: Landscape as Gaze 3.7 Discussion and Summary 4. Cultures of Landscape 4.1 Introduction 4.2 Material Anxieties 4.3 Landscape, Production and Labour 4.4 Cultures of Landscape: The Self, Power and Discourse 4.5 Landscape, Travel and Imperialism 4.6 Conclusion 5. Landscape Phenomenology 5.1 Introduction 5.2 Introducing Phenomenology: From Disembodied Gaze to Lived Body 5.3 Landscape and Dwelling 5.4 'Landscaping': Phenomenology, Non-representational Theory and Performance 5.5 Critiques of Landscape Phenomenology 5.6 Conclusion 6. Prospects for Landscape 6.1 Introduction 6.2 Memory, Identity, Conflict and Justice 6.3 Landscape and Polity and Law 6.4 The Ends of Landscape?: Relationality, Vitalism and Topological 6.5 Landscape Writing: Biography, Movement, Presence and Affect 6.6 Conclusion: Creative Tensions
Rezensionen
'This book synthesises earlier ideas and presents current thinking in an accessible form ... an excellent contribution to the theoretical study of landscape'-Brian Short, University of Sussex, UK
'Very well written, very accessible, and easy to read quickly. A pleasure, in fact.'- Richard H. Schein, University of Kentucky, USA
'I found Wylie's Landscape refreshingly clear and jargon-free with examples one could relate to. In sum, the book is extremely well written and very accessible and would make a valuable addition to any personal or institutional library.'Nina J Morris, University of Edinburgh
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