With characteristic wit and irony, Koea explores a sinister past of abuse and exploitation . . . Koea's characterisation of this ''mellifluous'' and ''self-possessed'' manipulator of women is in itself masterful. The novel is a study in pernicious and devious abuse, condoned and excused if the perpetrator is a popular bon viveur and pillar of the community. It reeks of a society that looks up to avuncular and apparently benign characters - shades of Jimmy Savile Down Under? The above may sound as if the novel is all dark and troubling. It is not. Koea's wit lifts it. . . . It is always a treat to read a new Koea.
Landscape with Solitary Figure shows Koea maturing into an expert at the suggestive power of detail. She has wrapped the core of abuse which lies at the story's centre in layers of observation by a mind which, although it may be troubled, has not lost its sharpness. In Ellis' case, seclusion seems eminently the best response. The escape from her past is a richly rewarding experience.
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