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Las Hadas no existen (Fairies do not exist) is a book of poetry written in Spanish. In the first part of the book the author confronts the issue of domestic violence and physical and moral abuse against women suffered in her own person in her married life. The sentiments expressed in her poems are full of anger, sarcasm and rebellion for the lost innocence. Fairies are the symbol of childhood, hope and innocence that no longer exists. Everything fades and breaks up to completely disappear. In the second part of the book the poems smoothed up, longing for the land and the family left behind.…mehr

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Produktbeschreibung
Las Hadas no existen (Fairies do not exist) is a book of poetry written in Spanish. In the first part of the book the author confronts the issue of domestic violence and physical and moral abuse against women suffered in her own person in her married life. The sentiments expressed in her poems are full of anger, sarcasm and rebellion for the lost innocence. Fairies are the symbol of childhood, hope and innocence that no longer exists. Everything fades and breaks up to completely disappear. In the second part of the book the poems smoothed up, longing for the land and the family left behind. There is a song of hope for her new home, her children and for nature. Fairies do not exist so exposes the controversial issue of violence against women in intimate relationships, a violence that takes place behind closed doors with enormous impact on women and children, victims of this social problem. Las hadas no existen ( Fairies do not exist) es un libro de poesa escrito en espaol. En la primera parte del libro la autora confronta el tema de la violencia domstica y abuso fsico y moral contra la mujer sufrido en su propia persona en su vida matrimonial. Los sentimientos expresados en sus poemas estn cargados de rabia, sarcasmo y rebelin por la inocencia perdida. Las hadas son el smbolo de niez, esperanza e inocencia que ya no existe ms. Todo se desvanece y se rompe hasta desaparecer por completo. En la segunda parte de la obra los poemas se suavizan en la aoranza por el terruo y la familia dejados atrs. Hay un canto de esperanza hacia su nueva tierra, sus hijos y la naturaleza. Las hadas no existen pone al descubierto el tema tan controversial de la violencia contra las mujeres en las relaciones de pareja, violencia que se lleva a cabo a puertas cerradas con enorme repercusin en la mujer y los hijos, vctimas de esta situacin.

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Autorenporträt
Olga Dalin was born in Barranco, Lima-Peru in 1946 as Olga Luzmila La Rosa Ambrossiani . She did her studies of primary and secondary school at María Auxiliadora College in Barranco. Graduated in 1973 as Teacher of Philosophy and Social Sciences at the Universidad Nacional Federico Villarreal in Lima. Worked as a primary school teacher in Lima from 1972 to 1975 before emigrating to Australia where she lives with her family. Olga started wrting poetry at 14 or 15 years of age, having been her first inspirations the work of the poets José María Eguren, Gustavo Adolfo Becquer, Abraham Valdelomar and Jorge Manrique. Later on at university other poets would influence her: Alfonsina Storni, Gabriela Mistral, Juan Gonzalo Rose, Pablo Neruda, César Vallejo and Octavio Paz. In Australia she read Federico Gracía Lorca, Antonio Machado, Miguel Hernandez, WH Auden , Walt Whitman, Dorothy Porter and Dorothy Hewett . At age 17 Olga got her first award with the essay Development of the Peoples of America. In Australia has been awarded for her poetry several times. By the Spanish Cultural Society in Sydney in 1994 and 1995. By the Literary Contest, Ruben Dario Melbourne Prize in 1993 and 1995. By the Competition for Poetry and narrative organized by the Latin American Group in Queensland in 1995. Her short story The Confidant was published in the book Transitions under the auspices of the Department of The Arts and the Arts Council of Fremantle in 1996. Three of her poems were selected for the Bilingual Anthology of Spanish- American poets in Australia, Over The Horizon, edited by Silvia Cuevas, under the auspices of the Australia Council for The Arts, in 1998. Olga lives in Perth with her family.