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This book critically explores ways in which our understanding of late medieval liturgy can be enhanced through present-day enactment. Discussion of the processes of the enactments is complemented by contextual studies, with particular emphasis on the provision of music. A distinctive feature of the work is that it seeks to understand the experiences of different groups within the medieval church - the clergy, their assistants, the singers, and the laity.
This book critically explores ways in which our understanding of late medieval liturgy can be enhanced through present-day enactment. Discussion of the processes of the enactments is complemented by contextual studies, with particular emphasis on the provision of music. A distinctive feature of the work is that it seeks to understand the experiences of different groups within the medieval church - the clergy, their assistants, the singers, and the laity.
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Autorenporträt
Sally Harper is senior lecturer in the School of Music at Bangor University, Wales, and an associate chaplain of Bangor Cathedral. She has written widely on music and culture in medieval and early modern Wales, and on medieval liturgy. P.S. Barnwell is Fellow in the Historic Environment at Kellogg College, University of Oxford, UK. His research interests include the relationships between theology, liturgy, lay devotion, and the evolution of the form of the English medieval parochial church. Magnus Williamson is senior lecturer at Newcastle University. His research focuses on the sources and contexts of Tudor polyphony, organs, improvisation, and critical editing. He is currently General Editor of the British Academy series Early English Church Music. John Harper, though not one of the editors, is the principal author, and has been the fons et origo of the practice-led research project from which this book flows and which exemplifies his career as a liturgical musician, scholar, teacher and administrator. Through honorary association with the University of Birmingham, UK, and emeritus associations with Bangor University and The Royal School of Church Music, he continues his work in sacred music studies and liturgy. He is perhaps most widely known for his useful guide The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century.
Inhaltsangabe
Introduction John Harper Part 1: Investigating the Experience of Late Medieval Worship in Medieval Church Buildings 1. Investigating the Experience of Late Medieval Worship John Harper 2. Enacting Late Medieval Worship: Locations, Processes and Outcomes John Harper Part 2: Past Evidence and Present Realisation 3. The Church of St Teilo, Llandeilo Tal-y-bont - A Moving Story Gerallt Nash 4. Clothing the Space: Making and Using the Artefacts and Vestments Sally Harper 5. A New Pre-Reformation Organ for the Church of St Teilo Dominic Gwynn 6. Establishing a Liturgical 'Text': Text for Performance, Performance as Text Matthew Cheung Salisbury 7. How Did They Do Liturgy? Preparing Late Medieval Text for Modern Enactment Sally Harper and John Harper 8. Quadring Cows: Resourcing Music in the Pre-Reformation Parish Magnus Williamson Part 3: Historical Foundations - Three Case Studies 9. The Reform of the Choir of Salisbury Cathedral, c.1450-1549 Roger Bowers 10. The Musical Knowledge and Practice of Expert Tudor Descanters Jane Flynn 11. The Holy Name of Jesus: A Literate Cult? Judith Aveling Part 4: Medieval Liturgy and Modern Enactment 12. The Nature of Late Medieval Worship: The Mass P. S. Barnwell 13. The Celebrant Reflects: Theological and Spiritual Priorities expressed through Sarum Use Jeremy Davies 14. Enabling the Ritual: Aspects of the Experience of Assisting Clergy, Servers, Singers and Organ-Player John Harper 15. How to do Without Rubrics: Experiments in Reconstructing Medieval Lay Experience P. S. Barnwell 16. Reflections on the Enactments: Voices from the Nave Keith Beasley, Judith Aveling and John Francis Moss Part 5: Reflecting on Present Experience of Past Rituals 17. Reconciling the Historical and the Contemporary in Liturgical Enactment Nils Holger Petersen 18. The Ritual Enactments: Historical Validity, Measurable Outcomes, Experience and Engagement John Harper 19. Enactment and the Study of Late Medieval Liturgy John Harper Appendices A.1 Summary Narrative of Mass of the Day in Choir A.2 Summary narrative of simple sung Mass with priest, server and singers A.3 Plan of Salisbury Cathedral A.4 Plan of St Teilo's Church. Bibliography Index
Introduction John Harper Part 1: Investigating the Experience of Late Medieval Worship in Medieval Church Buildings 1. Investigating the Experience of Late Medieval Worship John Harper 2. Enacting Late Medieval Worship: Locations, Processes and Outcomes John Harper Part 2: Past Evidence and Present Realisation 3. The Church of St Teilo, Llandeilo Tal-y-bont - A Moving Story Gerallt Nash 4. Clothing the Space: Making and Using the Artefacts and Vestments Sally Harper 5. A New Pre-Reformation Organ for the Church of St Teilo Dominic Gwynn 6. Establishing a Liturgical 'Text': Text for Performance, Performance as Text Matthew Cheung Salisbury 7. How Did They Do Liturgy? Preparing Late Medieval Text for Modern Enactment Sally Harper and John Harper 8. Quadring Cows: Resourcing Music in the Pre-Reformation Parish Magnus Williamson Part 3: Historical Foundations - Three Case Studies 9. The Reform of the Choir of Salisbury Cathedral, c.1450-1549 Roger Bowers 10. The Musical Knowledge and Practice of Expert Tudor Descanters Jane Flynn 11. The Holy Name of Jesus: A Literate Cult? Judith Aveling Part 4: Medieval Liturgy and Modern Enactment 12. The Nature of Late Medieval Worship: The Mass P. S. Barnwell 13. The Celebrant Reflects: Theological and Spiritual Priorities expressed through Sarum Use Jeremy Davies 14. Enabling the Ritual: Aspects of the Experience of Assisting Clergy, Servers, Singers and Organ-Player John Harper 15. How to do Without Rubrics: Experiments in Reconstructing Medieval Lay Experience P. S. Barnwell 16. Reflections on the Enactments: Voices from the Nave Keith Beasley, Judith Aveling and John Francis Moss Part 5: Reflecting on Present Experience of Past Rituals 17. Reconciling the Historical and the Contemporary in Liturgical Enactment Nils Holger Petersen 18. The Ritual Enactments: Historical Validity, Measurable Outcomes, Experience and Engagement John Harper 19. Enactment and the Study of Late Medieval Liturgy John Harper Appendices A.1 Summary Narrative of Mass of the Day in Choir A.2 Summary narrative of simple sung Mass with priest, server and singers A.3 Plan of Salisbury Cathedral A.4 Plan of St Teilo's Church. Bibliography Index
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