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"Patrick O'Connor's literary history of the perverse repositions Latin American literature of the latter half of the 20th century, most particularly that of the boom, vis-à -vis its treatment of queer desires. The emblematic figure of the spider woman inspires his readings of homosexuality, fetishism, sadism, masochism, transvestitism and other perversions in the works of many of the greatest writers of the 50s, 60s and 70s. Delightfully original, this book is highly recommended to scholars and fans of Latin American literature and queer studies alike." - Robert McKee Irwin, Tulane University
"Employing a sensitive understanding - and a critique - of Freudian theory and its derivatives, O'Connor shows us howrepresentations of male deviance - homosexuality, voyeurism, fetishism, sadism, and transvestism - have shaped the trajectory of the Latin American literary canon. At the same time, Latin American Fiction and the Narratives of the Perverse foregrounds the role of the queer theorist, whose task it is to interpret and to challenge the categories by which we define what is normal or aberrant. Ultimately, O'Connor makes a case for a particular erotics of reading: one that is itself representative of the perverse in its finding pleasure in alternative cultural forms." - Carlos J. Alonso, Professor of Romance Languages, University of Pennsylvania
"Stunning, witty, and elegantly written. O'Connor examines recent Latin American literature and comes up with a timely re-reading of major works. A superb work of scholarship, the book seduces the reader with a sophisticated web of perversions seldom critically examined in Latin American fiction." - Jose Quiroga, Emory University
"Sophisticated and original...[O'Connor] shows that, even when some of the authors on whom he focuses have been widely studied in the Latin American and North American academies, their most disturbing aspects have tended to be erased in order to make them fit in a certain representation of what is supposed to be characteristic of Latin American literature." - Reinaldo Laddaga, University of Pennsylvania