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This book explores the Gothic mode in the literature, visual arts, and culture of Latin America. Visiting texts from Mexico, Central America, the Caribbean, the Andes, Brazil, and the Southern Cone, the essays illuminate the existence of native representations of the Gothic, while also exploring the presence of universal archetypes of terror and horror. Through the analysis of global and local Gothic topics and themes, they evaluate the reality of a multifaceted territory marked by a shifting colonial and postcolonial relationship with Europe and the US, also acknowledging the effects of "Globalgothic" on a transnational and transcultural level.…mehr

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Produktbeschreibung
This book explores the Gothic mode in the literature, visual arts, and culture of Latin America. Visiting texts from Mexico, Central America, the Caribbean, the Andes, Brazil, and the Southern Cone, the essays illuminate the existence of native representations of the Gothic, while also exploring the presence of universal archetypes of terror and horror. Through the analysis of global and local Gothic topics and themes, they evaluate the reality of a multifaceted territory marked by a shifting colonial and postcolonial relationship with Europe and the US, also acknowledging the effects of "Globalgothic" on a transnational and transcultural level.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Sandra Casanova-Vizcaíno is Assistant Professor of Spanish at Binghamton University-State University of New York, USA. Inés Ordiz is a PhD Student and Teaching Associate in the Department of Spanish and Portuguese at the University of Washington, USA.