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The Light Armored Vehicle 25 (LAV-25) has played a significant role in transforming United States Marine Corps doctrine since its introduction in the early 1980s. The Marine Corps' Light Armored Vehicle program was based on the proven Swiss MOWAG Piranha series of 4x4, 6x6, and 8x8 wheeled vehicles. However, developing organizational units, tactics, and employment of the weapon system within the force structure of the Marine Corps proved to be more of a challenge than fielding the weapon system. This resulted in multiple re-designations for LAV units within the Corps. The LAV first saw combat…mehr

Produktbeschreibung
The Light Armored Vehicle 25 (LAV-25) has played a significant role in transforming United States Marine Corps doctrine since its introduction in the early 1980s. The Marine Corps' Light Armored Vehicle program was based on the proven Swiss MOWAG Piranha series of 4x4, 6x6, and 8x8 wheeled vehicles. However, developing organizational units, tactics, and employment of the weapon system within the force structure of the Marine Corps proved to be more of a challenge than fielding the weapon system. This resulted in multiple re-designations for LAV units within the Corps. The LAV first saw combat in Panama during Operation Just Cause and LAV-25s have fought in every major conflict since, including Operation Enduring Freedom, and Operation Iraqi Freedom. This book covers the design, development, and deployment of this continuingly successful vehicle.
Autorenporträt
Steven J. Zaloga received his BA in history from Union College and his MA from Columbia University. He has worked as an analyst in the aerospace industry for over two decades, covering missile systems and the international arms trade, and has served with the Institute for Defense Analyses, a federal think-tank. He is the author of numerous books on military technology and military history, with an accent on the US Army in World War II as well as Russia and the former Soviet Union.

Peter Bull graduated from art college in 1979 and has worked as a freelance illustrator for over 25 years. He has created both traditional and digital art for publishers worldwide, and also runs the Peter Bull Art Studio, based in Kent, UK, which he founded in 1975.