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Patricia Fortini Brown, Professor Emerita of Art and Archaeology, Princeton University
'As one might expect from Forcellino, this book is written with verve, it brings major and minor individuals back to life, and it presents an original perspective on Leonardo's art and on his relationships to other artists. While Forcellino's greatest strength is his close analysis of particular paintings, he deals with the whole range of Leonardo's work, from his mechanics, optics and anatomy to his most famous paintings and frescoes. This concise but comprehensive book on a many-sided man deserves to be widely read.'
Peter Burke, Professor Emeritus of Cultural History, University of Cambridge
"Forcellino's book is outstanding not merely because of the extent to which he incorporates a wealth of new insights on and research pertaining to Leonardo's life at all stages, and to the constantly roiling social and political climate in which lived and worked, but also because of the profundity of detail he so ably provides to lure readers deep beneath the surfaces of Leonardo's works -- paintings, unfinished paintings, and drawings alike. Where he does so thematically or allegorically as an art historian might not always shed novel light on matters of interpretation, but his prose and pacing are by and large so casually gripping that those details are no less irresistible than the true gifts he provides his readers -- punctilious, scrutinizing descriptions of process and materials. This is where Forcellino's book truly shines, and where his work as a restorer of artworks informs his analysis in penetrating ways, allowing readers to feel that they're learning key aspects of the secrets of the trade."
Paul D'Agostino, Hyperallergic