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  • Format: ePub

Time is not serial.
Questions and answers seem out of reach, lying below the surface of our consciousness.
Fragmented time provides a framework for the mental apparatus to resolve disorganized psychic experiences.
Psychic reality is a mosaic where a single picture is formed by isolated bits; but the fragments also stand as individual pieces, they are integral aspects of a single process.
One story splits and fragments creating an elaborate structure rich in interconnected details and stories within-stories.
Our experience moves from linear to synchronous.
Thus, we are
…mehr

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Produktbeschreibung
Time is not serial.

Questions and answers seem out of reach, lying below the surface of our consciousness.

Fragmented time provides a framework for the mental apparatus to resolve disorganized psychic experiences.

Psychic reality is a mosaic where a single picture is formed by isolated bits; but the fragments also stand as individual pieces, they are integral aspects of a single process.

One story splits and fragments creating an elaborate structure rich in interconnected details and stories within-stories.

Our experience moves from linear to synchronous.

Thus, we are receptive to the realm of possibility. It is an opportunity for reflection and mystery.

This book is a puzzle to enjoy.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Perhaps as an indirect tribute to Frank O¿Haräs, Why I am not a painter, the MoMA hosted a course for young poets in the seventies. I was 15 years old and lucky enough to participate. We were exposed to the large expansive movements of Pollock, the raw emotions of Rothko, and the subtleties of Reinhardt. The poems that we created were not direct interpretations but evoked responses.

As for music, I grew up on classic Rock but by the mid-seventies had switched my listening to WKCR. Miles, Trane, Monk, Rahsaan Roland Kirk, Sun Ra and others have been a constant background wherever I work.

Literary influences are too broad to mention. I am familiar with many of the twentieth century writers. I enjoy the modernists, post- modernists, conceptual artists, and particularly the beats and post-beats.

It is part of the of the reader¿s experience to enjoy discovering the obvious and more obscure references buried in the layers of detail of the text. In some sense I am not writing for the general public. My work is for literary minds who might have an interest in my explorations of the written form.