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Letters to aspiring directors, producers, screenwriters, and other creatives from one of the world's leading teachers of film. Suber emphasizes that what is required of a professional in the world of film is not just technique, but an understanding and ability to deal with the realities of how films get made.
Letters to aspiring directors, producers, screenwriters, and other creatives from one of the world's leading teachers of film. Suber emphasizes that what is required of a professional in the world of film is not just technique, but an understanding and ability to deal with the realities of how films get made.
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Autorenporträt
If anyone can be called the "Yoda” of filming, it's Howard Suber. For 46 years, Howard Suber has taught generations of screenwriters, directors, producers, and film scholars at UCLA's celebrated film school, and his former students are today creating films and television programs and teaching film studies throughout the world. He created and for many years chaired UCLA's current Film and Television Producers Program, which is focused on the realities of the modern film and television industries. He has team-taught with, or brought into the Producers Program, many of the most important movie studio heads, agents, producers, lawyers, and executives in the industry.
Inhaltsangabe
TABLE OF CONTENTS Becoming a Filmmaker Becoming a Professional Filmmaker The Letters: Fate vs. Destiny War Is it Who You Know? "Born Creative”? The Principal Principle of Creativity Inspiration Originality Ideas Pitching What's It About? If The Screenplay Is So Important, How Come Screenwriters Are So Often Treated Like Shit? Emotional Storyboards Write What You Know? Creating Recognizable Characters Developing Your Writing The Audience What Audiences Want Strategy and Artistic Freedom Logistics Prioritizing Hollywood What Movie Are You Living Now? Decisions Active vs. Effective Negotiating Aggression Motivations vs. Goals Rules vs. Principles What's Most Important? Treatments Readers and Coverage Development Options Marketplace Value of First Time Screenplays Credits Writers vs. Producers Producers vs. Everyone Else Conflict Partnerships Mentors and Models Sharing Your Passion How Much Does A Film Cost? What Happened To The Studios? The Golden Age of Independent Film Making an Independent Film Agents Managers Hip Pocketing Getting Started as a Director Doing Things for The Good of the Film Exhibition and Distribution Marketing Minorities and Women in the Industry Ageism and Youthism Copy and Other Rights Life Rights and Romans À Clef Being Screwed Other Opportunities The End of the Industry What Determines Success? Why Try?
TABLE OF CONTENTS Becoming a Filmmaker Becoming a Professional Filmmaker The Letters: Fate vs. Destiny War Is it Who You Know? "Born Creative”? The Principal Principle of Creativity Inspiration Originality Ideas Pitching What's It About? If The Screenplay Is So Important, How Come Screenwriters Are So Often Treated Like Shit? Emotional Storyboards Write What You Know? Creating Recognizable Characters Developing Your Writing The Audience What Audiences Want Strategy and Artistic Freedom Logistics Prioritizing Hollywood What Movie Are You Living Now? Decisions Active vs. Effective Negotiating Aggression Motivations vs. Goals Rules vs. Principles What's Most Important? Treatments Readers and Coverage Development Options Marketplace Value of First Time Screenplays Credits Writers vs. Producers Producers vs. Everyone Else Conflict Partnerships Mentors and Models Sharing Your Passion How Much Does A Film Cost? What Happened To The Studios? The Golden Age of Independent Film Making an Independent Film Agents Managers Hip Pocketing Getting Started as a Director Doing Things for The Good of the Film Exhibition and Distribution Marketing Minorities and Women in the Industry Ageism and Youthism Copy and Other Rights Life Rights and Romans À Clef Being Screwed Other Opportunities The End of the Industry What Determines Success? Why Try?
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