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As time goes by, there are too many clocks in my house. If the power goes off, besides the time pieces themselves, there are those embedded in our refrigerator, stove, telephones, car, you name it. All awaiting a resetting. Our lives do, too. Of course life doesn't begin at seventy, nor did it end at thirty. It is said the three demands of youngsters are: see me, hear me, pay attention to me. Well it's clear to those of us in our second childhood, few see us or hear us, much less pay attention to us. The world is interested in younger generations. My essays pay attention to us with a twist, or at least a chuckle.…mehr
As time goes by, there are too many clocks in my house. If the power goes off, besides the time pieces themselves, there are those embedded in our refrigerator, stove, telephones, car, you name it. All awaiting a resetting. Our lives do, too. Of course life doesn't begin at seventy, nor did it end at thirty. It is said the three demands of youngsters are: see me, hear me, pay attention to me. Well it's clear to those of us in our second childhood, few see us or hear us, much less pay attention to us. The world is interested in younger generations. My essays pay attention to us with a twist, or at least a chuckle.
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Autorenporträt
Gerald G. Hotchkiss is a retired magazine publisher who has written several children's and young adult books including: Emily and the Lost City of Ergup, the first Emily story; Emily In Khara Koto, Zoe and the Pirate Ship Revenge and Claire at the Crocker Farm, all from Sunstone Press; Music Makers, A Guide to Singing in a Chorus also from Sunstone Press; and has illustrated One Hundred Million Wombats. He worked at Life, Look and Newsweek and was publisher of Psychology Today and Science Digest. His last magazine, as publisher, was 50 Plus, a Whitney publication for seniors.
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