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A dippy photographer shoots talking donkeys and invisible strangers. A professor who in his youth vowed to kill Ian Paisley has so far failed to do so. A brash young journalist wants the local paper to save the world, but the editor prefers football. Only a thin veil separates the world we think we know from the other universe we suspect. Does a son always know his father and vice versa? When a large old duffer gets stuck in Newgrange, can love provide a way out? Why can't the future be obvious as the past? Michael J. Farrell insists his stories are what people brood over in the small hours…mehr
A dippy photographer shoots talking donkeys and invisible strangers. A professor who in his youth vowed to kill Ian Paisley has so far failed to do so. A brash young journalist wants the local paper to save the world, but the editor prefers football. Only a thin veil separates the world we think we know from the other universe we suspect. Does a son always know his father and vice versa? When a large old duffer gets stuck in Newgrange, can love provide a way out? Why can't the future be obvious as the past? Michael J. Farrell insists his stories are what people brood over in the small hours until some see the light. What they see is the fragile earth redeemed time and again by surprises. Ballinasloe may seem an odd beginning of the end of George W. Bush. A saintly old archbishop and a worldly new bishop climb Croagh Patrick together, ecclesiastical chalk and cheese each in search of a different end of the rainbow. New arrivals find one astronaut too many at the International Space Station. Life here below, Farrell contends, would be a dire place without insights and epiphanies and, of course, porter.
Michael J. Farrell grew up in County Longford not far from the Shannon. He was a priest for some years, during which time he edited the annual literary reviews, Everyman and Aquarius (he edited a book of the highlights from these, Creative Commotion, for the Liffey Press in 2009). Farrell spent his middle years in the practice of journalism in the USA where he was an editor at the National Catholic Reporter. He also edited and contributed to books, while reviewing others for, among many, the Los Angeles Times. His novel Papabile won the Thorpe Menn Award in 1998. Since retiring in 2003, his stories have appeared in Let's Be Alone Together (The Stinging Fly Press, 2008) and The Faber Book of Best New Irish Short Stories, 2006-2007, while another was runner-up for the RTE Francis McManus Award in 2006.
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