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  • Format: ePub

Like a Woman follows Taylor, a working class white girl too tough and too tender for her own good, who helps friends, rescues strays, and carries her battered copy of Ghandi on Non-Violence everywhere she goes. She reads curled up in the sewer drain by Venice Beach under the shot-out flashing Chevron light, yet still fights at the drop of a dime, cuts johns who say the wrong thing, and steals anything she can get her hands on. Her girlfriend, Jackson, a young African-American street worker who lives in the back of a junk yard totaled limo, dreams of becoming a writer and receives daily…mehr

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Produktbeschreibung
Like a Woman follows Taylor, a working class white girl too tough and too tender for her own good, who helps friends, rescues strays, and carries her battered copy of Ghandi on Non-Violence everywhere she goes. She reads curled up in the sewer drain by Venice Beach under the shot-out flashing Chevron light, yet still fights at the drop of a dime, cuts johns who say the wrong thing, and steals anything she can get her hands on. Her girlfriend, Jackson, a young African-American street worker who lives in the back of a junk yard totaled limo, dreams of becoming a writer and receives daily guidance from her recently deceased mama. Joining them are fellow homeless street kids; high-end sex workers with Ph.Ds; Eddie, a butch transvestite from Pasadena who runs a 'Speak-Easy' for johns who just want to talk; a fierce and loyal Rottweiler named J. Edgar; and Dutch, a barrel-chested, flat butt old cowboy who eventually helps Taylor get off the streets.

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Autorenporträt
Debra Busman is a fiction/creative non-fiction writer and co-director of the Creative Writing and Social Action Program at CSU Monterey Bay. Co-editor of Fire and Ink: An Anthology of Social Action Writing, her work has been published in Combined Destinies: Whites Share Grief About Racism, Street Lit: Representing the Urban Landscape, The LA Review, Social Justice: New Pedagogies for Social Change, and Women's Studies Quarterly 26: "Working Class Lives and Cultures.”