69,95 €
69,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
35 °P sammeln
69,95 €
69,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
35 °P sammeln
Als Download kaufen
69,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
35 °P sammeln
Jetzt verschenken
69,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
35 °P sammeln
  • Format: ePub

The early seventeenth century, when the first operas were written and technical advances with far-reaching consequences-such as tonal music-began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell'Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell'Antonio links the new ideas about…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 1.52MB
Produktbeschreibung
The early seventeenth century, when the first operas were written and technical advances with far-reaching consequences-such as tonal music-began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell'Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell'Antonio links the new ideas about cultivated listening with other intellectual trends of the period: humanistic learning, contemplative listening (or watching) as an active spiritual practice, and musical mysticism as an ideal promoted by the Church as part of the Catholic Reformation.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.

Autorenporträt
Andrew Dell'Antonio is Professor in the Musicology/Ethnomusicology Division at the University of Texas at Austin, Butler School of Music. He is a former Mellon Fellow at the Harvard-Villa I Tatti Center for Italian Renaissance Studies and the editor of Beyond Structural Listening? Postmodern Modes of Hearing (UC Press).