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"Close attention to aesthetic form sets this volume apart from previous studies, offering technically informed insights into issues such as musical hybridity, cross-genre adaptation, and intercultural musical composition. Byattending to the form of Cultural revolution musical productions, rather than simply their political messages, the authors of this volume identify new ways for thinking about Cultural Revolution culture, linking this period with broader artistic questions, as well as historical precedents and legacies." - Emily Wilcox, Assistant Professor of Modern Chinese Studies, University of Michigan, USA