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Seek to get behind the scenes to the nitty-gritty of life in the more boutique, hand-to-mouth world of the independent music industry today? A world where the handful of vinyl pressing plants that still exist on the planet are creaking at the seams to keep up with demand; a world where middle-aged bearded hipsters and sixth-formers alike can be found thumbing through the racks buying (or re-buying) those classic Talking Heads, Can or David Bowie LPs; where copies of the new Tindersticks album on clear vinyl on City Slang are scarce; where a Nils Frahm LP is re-released by Erased Tapes a year…mehr
Seek to get behind the scenes to the nitty-gritty of life in the more boutique, hand-to-mouth world of the independent music industry today? A world where the handful of vinyl pressing plants that still exist on the planet are creaking at the seams to keep up with demand; a world where middle-aged bearded hipsters and sixth-formers alike can be found thumbing through the racks buying (or re-buying) those classic Talking Heads, Can or David Bowie LPs; where copies of the new Tindersticks album on clear vinyl on City Slang are scarce; where a Nils Frahm LP is re-released by Erased Tapes a year or so on complete with a second LP of fan remixes; a world where you could fly to Europe in the time it takes to queue round the block on Record Store Day outside Rough Trade's Brick Lane shop. Part handbook for the hipster nation, part thoughtful probing of a semi-cottage industry that brings joy to millions, this is a celebration of sleeves, records, good taste, and all independent music.
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Autorenporträt
Ian Preece commissioned, edited and published numerous music titles in his time as a commissioning editor at Victor Gollancz and Orion, including books on Rough Trade records, Tom Waits, Brian Eno, Scott Walker and The Clash, as well as the music writing of Ben Thompson and Garry Mulholland. He has a radio show/podcast on "Seeks Music," an internet-based station, and is the author of The Heyday of the Football Annual: Post-War to Premiership (with Doug Cheeseman; Constable/Little, Brown). He has written for When Saturday Comes, and on music and literature for Caught by the River, Caught with a Smile and Artrocker magazines. Ian Preece commissioned, edited and published numerous music titles in his time as a commissioning editor at Victor Gollancz and Orion, including books on Rough Trade records, Tom Waits, Brian Eno, Scott Walker and The Clash, as well as the music writing of Ben Thompson and Garry Mulholland. He has a radio show/podcast on Seeks Music, an internet-based station, and is the author of The Heyday of the Football Annual: Post-War to Premiership (with Doug Cheeseman; Constable/Little, Brown). He has written for When Saturday Comes, and on music and literature for Caught by the River, Caught with a Smile and Artrocker magazines.
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