Literary Influence and African-American Writers (eBook, ePUB)
Collected Essays
Redaktion: Mishkin, Tracy
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Literary Influence and African-American Writers (eBook, ePUB)
Collected Essays
Redaktion: Mishkin, Tracy
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First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
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First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 400
- Erscheinungstermin: 22. Dezember 2015
- Englisch
- ISBN-13: 9781317946311
- Artikelnr.: 44473896
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 400
- Erscheinungstermin: 22. Dezember 2015
- Englisch
- ISBN-13: 9781317946311
- Artikelnr.: 44473896
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Tracy Mishkin
Chapter 1 Theorizing Literary Influence and African-American Writers, Tracy
Mishkin; Part 1 The Nineteenth Century; Chapter 2 Strategies of Black
Characterization in Uncle Tom's Cabin and the Early Afro-American Novel,
Richard Yarborough; Chapter 3 Break Dancing in the Drawing Room: Mark Twain
and African-American Voices, Shelley Fisher Fishkin; Chapter 4 A Trick of
Mediation: Charles Chesnutt's Conflicted Literary Relationship with Albion
Tourgée, Peter Caccavari; Part 2 African-American and Irish Literature;
Chapter 5 "About Us, For Us, Near Us": The Irish and Harlem Renaissances,
Brian Gallagher; Chapter 6 Afro-Celtic Connections: From Frederick Douglass
to The Commitments, George Bornstein; Chapter 7 "How Black Sees Green and
Red": African-American and Irish Interaction in the Early Twentieth
Century, Tracy Mishkin; Part 3 Early to Mid-Twentieth Century; Chapter 8
Irony without Condescension: Sterling A. Brown's Nod to Robert Frost, Mark
Jeffreys; Chapter 9 Carlos Bulosan's literary Debt to Richard Wright, Helen
Jaskoski; Chapter 10 Theoretical Dimensions of Invisible Man, Pierre A.
Walker; Part 4 Contemporary; Chapter 11 Swing to the White, Back to the
Black: Writing and "Sourcery" in Ishmael Reed's Mumbo Jumbo, Richard
Hardack; Chapter 12 "Kin and Kin": The Poetry of Lucille Clifton, Alicia
Ostriker; Chapter 13 Shakespeare's Naylor, Naylor's Shakespeare:
Shakespearean Allusion as Appropriation in Gloria Naylor's Quartet, Peter
Erickson; Chapter 14 On Stepping into Footprints Which Feel Like Your Own:
Literacy, Empowerment, and the African-American Literary Tradition, Reggie
Young;
Mishkin; Part 1 The Nineteenth Century; Chapter 2 Strategies of Black
Characterization in Uncle Tom's Cabin and the Early Afro-American Novel,
Richard Yarborough; Chapter 3 Break Dancing in the Drawing Room: Mark Twain
and African-American Voices, Shelley Fisher Fishkin; Chapter 4 A Trick of
Mediation: Charles Chesnutt's Conflicted Literary Relationship with Albion
Tourgée, Peter Caccavari; Part 2 African-American and Irish Literature;
Chapter 5 "About Us, For Us, Near Us": The Irish and Harlem Renaissances,
Brian Gallagher; Chapter 6 Afro-Celtic Connections: From Frederick Douglass
to The Commitments, George Bornstein; Chapter 7 "How Black Sees Green and
Red": African-American and Irish Interaction in the Early Twentieth
Century, Tracy Mishkin; Part 3 Early to Mid-Twentieth Century; Chapter 8
Irony without Condescension: Sterling A. Brown's Nod to Robert Frost, Mark
Jeffreys; Chapter 9 Carlos Bulosan's literary Debt to Richard Wright, Helen
Jaskoski; Chapter 10 Theoretical Dimensions of Invisible Man, Pierre A.
Walker; Part 4 Contemporary; Chapter 11 Swing to the White, Back to the
Black: Writing and "Sourcery" in Ishmael Reed's Mumbo Jumbo, Richard
Hardack; Chapter 12 "Kin and Kin": The Poetry of Lucille Clifton, Alicia
Ostriker; Chapter 13 Shakespeare's Naylor, Naylor's Shakespeare:
Shakespearean Allusion as Appropriation in Gloria Naylor's Quartet, Peter
Erickson; Chapter 14 On Stepping into Footprints Which Feel Like Your Own:
Literacy, Empowerment, and the African-American Literary Tradition, Reggie
Young;
Chapter 1 Theorizing Literary Influence and African-American Writers, Tracy
Mishkin; Part 1 The Nineteenth Century; Chapter 2 Strategies of Black
Characterization in Uncle Tom's Cabin and the Early Afro-American Novel,
Richard Yarborough; Chapter 3 Break Dancing in the Drawing Room: Mark Twain
and African-American Voices, Shelley Fisher Fishkin; Chapter 4 A Trick of
Mediation: Charles Chesnutt's Conflicted Literary Relationship with Albion
Tourgée, Peter Caccavari; Part 2 African-American and Irish Literature;
Chapter 5 "About Us, For Us, Near Us": The Irish and Harlem Renaissances,
Brian Gallagher; Chapter 6 Afro-Celtic Connections: From Frederick Douglass
to The Commitments, George Bornstein; Chapter 7 "How Black Sees Green and
Red": African-American and Irish Interaction in the Early Twentieth
Century, Tracy Mishkin; Part 3 Early to Mid-Twentieth Century; Chapter 8
Irony without Condescension: Sterling A. Brown's Nod to Robert Frost, Mark
Jeffreys; Chapter 9 Carlos Bulosan's literary Debt to Richard Wright, Helen
Jaskoski; Chapter 10 Theoretical Dimensions of Invisible Man, Pierre A.
Walker; Part 4 Contemporary; Chapter 11 Swing to the White, Back to the
Black: Writing and "Sourcery" in Ishmael Reed's Mumbo Jumbo, Richard
Hardack; Chapter 12 "Kin and Kin": The Poetry of Lucille Clifton, Alicia
Ostriker; Chapter 13 Shakespeare's Naylor, Naylor's Shakespeare:
Shakespearean Allusion as Appropriation in Gloria Naylor's Quartet, Peter
Erickson; Chapter 14 On Stepping into Footprints Which Feel Like Your Own:
Literacy, Empowerment, and the African-American Literary Tradition, Reggie
Young;
Mishkin; Part 1 The Nineteenth Century; Chapter 2 Strategies of Black
Characterization in Uncle Tom's Cabin and the Early Afro-American Novel,
Richard Yarborough; Chapter 3 Break Dancing in the Drawing Room: Mark Twain
and African-American Voices, Shelley Fisher Fishkin; Chapter 4 A Trick of
Mediation: Charles Chesnutt's Conflicted Literary Relationship with Albion
Tourgée, Peter Caccavari; Part 2 African-American and Irish Literature;
Chapter 5 "About Us, For Us, Near Us": The Irish and Harlem Renaissances,
Brian Gallagher; Chapter 6 Afro-Celtic Connections: From Frederick Douglass
to The Commitments, George Bornstein; Chapter 7 "How Black Sees Green and
Red": African-American and Irish Interaction in the Early Twentieth
Century, Tracy Mishkin; Part 3 Early to Mid-Twentieth Century; Chapter 8
Irony without Condescension: Sterling A. Brown's Nod to Robert Frost, Mark
Jeffreys; Chapter 9 Carlos Bulosan's literary Debt to Richard Wright, Helen
Jaskoski; Chapter 10 Theoretical Dimensions of Invisible Man, Pierre A.
Walker; Part 4 Contemporary; Chapter 11 Swing to the White, Back to the
Black: Writing and "Sourcery" in Ishmael Reed's Mumbo Jumbo, Richard
Hardack; Chapter 12 "Kin and Kin": The Poetry of Lucille Clifton, Alicia
Ostriker; Chapter 13 Shakespeare's Naylor, Naylor's Shakespeare:
Shakespearean Allusion as Appropriation in Gloria Naylor's Quartet, Peter
Erickson; Chapter 14 On Stepping into Footprints Which Feel Like Your Own:
Literacy, Empowerment, and the African-American Literary Tradition, Reggie
Young;