Lise Jaillant

Literary Rebels (eBook, PDF)

A History of Creative Writers in Anglo-American Universities

• Format: PDF

Produktbeschreibung

How many times have you heard that creative writing programmes are factories that produce the same kind of writers, isolated from real life? Only by escaping academia can writers be completely free. Universities are profoundly conservative places, designed to favour a certain way of writing-preferably informed by literary theory. Those who reject the creative/ critical discourse of academia are the true rebels, condemned to live (or survive) in a tough literary marketplace. Conformity is on the side of academia, the story goes, and rebellion is on the other side. This book argues against the notion that creative writing programmes are driven by conformity. Instead, it shows that these programmes in the United States and Britain were founded and developed by literary outsiders, who left an enduring mark on their discipline. To this day, creative writing occupies a marginal position in Anglo-American universities. The multiplication of new programmes, accompanied by rising student enrolments, has done nothing to change that positioning. As a discipline, creative writing strives on opposition to the mainstream university, while benefiting from what the university has to offer. Historically, this opposition to scholars was so virulent that it often led to the separation of creative writing and literature departments. The Iowa Writers' Workshop, founded in the 1930s, separated from the English department three decades later--and it still occupies a different building on campus, with little communication between writers and scholars. This model of institutional division is less common in Britain, where the discipline formally emerged in the late 1960s and early 1970s. But even when creative writing is located within literature departments, relationships with scholars remain uneasy. Creative writers and scholars are not, and have never been, natural bedfellows.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 240
• Erscheinungstermin: 6. Oktober 2022
• Englisch
• ISBN-13: 9780192667571
• Artikelnr.: 66002106

Autorenporträt

Lise Jaillant is Senior Lecturer (Associate Professor) in the School of Social Sciences and Humanities at Loughborough University. She specialises in twentieth-century literary institutions, with a special interest in publishers and creative writing programmes. She is author of Modernism, Middlebrow and the Literary Canon: The Modern Library Series, 1917-1955 (Routledge, 2014) and Cheap Modernism: Expanding Markets, Publishers' Series and the Avant-Garde (EUP, 2017) and editor of Publishing Modernist Fiction and Poetry (EUP, 2019). Taken together, these three books offer a broad overview of Anglo-American publishers in the early-twentieth-century, and their influence on the diffusion of modern literature.

Inhaltsangabe

* Introduction
* Part I: USA
* 1: Think Global, Act Local: Paul Engle and the Modernist Roots of
Creative Writing at the University of Iowa
* 2: "I'm Afraid I've Got Involved With a Nut": William Faulkner,
Random House and the Postwar Generation of Aspiring Writers
* 3: Healing the Breach between Writers and Scholars? Wallace Stegner
and the Diffusion of the Creative Writing Gospel
* 4: Fighting Organization Man: The Rockefeller Foundation and the
Re-discovery of the Individual Creative Writer
* 5: Fame, Fortune, and Freedom: The Rise and Fall of the Famous
Writers School
* Part II: UK
* 6: Myth Maker: Malcolm Bradbury and the Creation of Creative Writing
at UEA
* 7: Lorry-Driver Poets and Student Radicals: Inventing the
"Writer-in-Residence" in Britain
* 8: Kazuo Ishiguro: "The First Product of a Creative Writing Course to
Win the Nobel"
* 9: Beyond Academia: From Arvon to the Faber Academy
* Epilogue: The Future of Creative Writing Programmes in Continental
Europe
* Conclusion: Rebel Forever? How to be a Writer in the Program Era
* Afterword
* Works Cited