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This book examines literary representations of mainlander identity articulated by Taiwan's second-generation mainlander writers, who share the common feature of emotional ambivalence between Taiwan and China.
This book examines literary representations of mainlander identity articulated by Taiwan's second-generation mainlander writers, who share the common feature of emotional ambivalence between Taiwan and China.
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Autorenporträt
Phyllis Yu-ting Huang is Sessional Lecturer at the University of Melbourne, Australia.
Inhaltsangabe
Introduction: What's in a Name?: Second-generation Mainlander Writing as a Genre 1. Constructing the Mainlander: Self, Other, and Homeland in Chu Tien-hsin's Everlasting ( ) and Yuan Chiung-chiung's This Love, This Life ( ) 2. Seeking a New Identity: Su Wei-chen's Leaving Tongfang ( ) and Chu Tien-hsin's "In Remembrance of My Buddies from the Military Compound" ( ) 3. In Quest of the Absent Mainlander Father: Family, History, and Mainlander Identity in Hao Yu-hsiang's The Inn ( ) and Lo Yi-chin's The Moon Clan ( ) 4. Inventing a Taiwanized Juancun: Lai Sheng-chuan and Wang Wei-chung's The Village ( ) 5. Happily Ever After?: Homecoming and Mainlander Identity in Chiang Hsiao-yun's Peach Blossom Well ( ) Conclusion and Epilogue: "Mainlander" as an Identity of In-betweenness
Introduction: What's in a Name?: Second-generation Mainlander Writing as a Genre
1. Constructing the Mainlander: Self, Other, and Homeland in Chu Tien-hsin's Everlasting ( ) and Yuan Chiung-chiung's This Love, This Life ( )
2. Seeking a New Identity: Su Wei-chen's Leaving Tongfang ( ) and Chu Tien-hsin's "In Remembrance of My Buddies from the Military Compound" ( )
3. In Quest of the Absent Mainlander Father: Family, History, and Mainlander Identity in Hao Yu-hsiang's The Inn ( ) and Lo Yi-chin's The Moon Clan ( )
4. Inventing a Taiwanized Juancun: Lai Sheng-chuan and Wang Wei-chung's The Village ( )
5. Happily Ever After?: Homecoming and Mainlander Identity in Chiang Hsiao-yun's Peach Blossom Well ( )
Conclusion and Epilogue: "Mainlander" as an Identity of In-betweenness
Introduction: What's in a Name?: Second-generation Mainlander Writing as a Genre 1. Constructing the Mainlander: Self, Other, and Homeland in Chu Tien-hsin's Everlasting ( ) and Yuan Chiung-chiung's This Love, This Life ( ) 2. Seeking a New Identity: Su Wei-chen's Leaving Tongfang ( ) and Chu Tien-hsin's "In Remembrance of My Buddies from the Military Compound" ( ) 3. In Quest of the Absent Mainlander Father: Family, History, and Mainlander Identity in Hao Yu-hsiang's The Inn ( ) and Lo Yi-chin's The Moon Clan ( ) 4. Inventing a Taiwanized Juancun: Lai Sheng-chuan and Wang Wei-chung's The Village ( ) 5. Happily Ever After?: Homecoming and Mainlander Identity in Chiang Hsiao-yun's Peach Blossom Well ( ) Conclusion and Epilogue: "Mainlander" as an Identity of In-betweenness
Introduction: What's in a Name?: Second-generation Mainlander Writing as a Genre
1. Constructing the Mainlander: Self, Other, and Homeland in Chu Tien-hsin's Everlasting ( ) and Yuan Chiung-chiung's This Love, This Life ( )
2. Seeking a New Identity: Su Wei-chen's Leaving Tongfang ( ) and Chu Tien-hsin's "In Remembrance of My Buddies from the Military Compound" ( )
3. In Quest of the Absent Mainlander Father: Family, History, and Mainlander Identity in Hao Yu-hsiang's The Inn ( ) and Lo Yi-chin's The Moon Clan ( )
4. Inventing a Taiwanized Juancun: Lai Sheng-chuan and Wang Wei-chung's The Village ( )
5. Happily Ever After?: Homecoming and Mainlander Identity in Chiang Hsiao-yun's Peach Blossom Well ( )
Conclusion and Epilogue: "Mainlander" as an Identity of In-betweenness
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